Anna Pizzey

FS Pimlico is a vibrant typeface. Inspired by brushwriting, Pimlico is a versatile and adoring type system capable of bringing a very human and comfortable feel to small texts, headlines, signage systems, corporate identities and large billboard ads. The three weights and true italics come packed with cheerful and enthusiastic details which remain concise and effective for varied typographical purposes. Beautiful swashes are available for all weights along with a lovely and bubbly glow font for graphic headline goodness.

Siena is a luxurious type. A modern contrasted sans serif. Over 25 years in the making, FS Siena is tailor made for high-end brands. Sumptuous, elegant and eclectic, a nonconformist typeface with classical roots. It’s been a long time coming, but with its heady mix of elegance and quirky charm, FS Siena is worth the wait.

FS Rufus is an eccentric typeface, benevolent, quirky, peculiar, offbeat, jelly beans and ice cream, a retro eco warrior. A Headline font that is quite wide, with curious ink-traps that make an uncommon and unique design. Featuring special ligatures.

FS Koopman is a hard-working typeface.

A crossbred workhorse that draws on inspiration from Swiss grotesks, American gothics and early British grotesques. It refuses to fit neatly into any of these categories, it’s neither

one nor the other, but all of the above. It’s kinda Swiss meets American… (but with a slight Yorkshire twang).

FS Kim is bold and intriguing—exuberant and unmissable, but playing a supporting role when needed. FS Kim shines brightest as a display font, and is perfect for applications across fashion, theatre, cultural projects and pretty much any brand that wants to make a statement.

While this font is dramatic, it’s incredibly versatile, too, and works to showcase content in a stylish, striking way. In an unusual twist, the display version was created first using a broad-nib pen to create familiar forms and elegance while still breaking from serif traditions and making it all about standout character.

While FS Kim’s text version is more constrained than the display, the strength and playfulness remain and text and display maintain a strong connection that mean they can be used together. This isn’t a serif of the usual subtle and softness: it’s aggressive and exaggerated.