Getho is a Semi Sans family of geometric construction with 6 weights plus the italic versions all include small letters, the symbol of Bitcoin and other monetary symbols.
It is an exclusive typography with neo-grotesque modulations and maximum readability in any size. The typeface has alternative letters and numbers, small caps and advanced OpenType functions. The complete Pack includes versions of the Variable Fonts type.
The drawn of the vectors is meticulous to obtain smooth curves of elegant aspect to which also contributes the subtle rounding of the corners, the thicker versions have of traps of ink in the knots of the unions to be able to use them in small sizes. The Metric and the Kerning of all the versions I have reviewed individually to obtain a fluent reading in any type of text and size.
Binario Soft is a gently rounded version of Binario, which is also available on this vendor’s website.
Binario Soft is a geometric sans serif typeface with subtlly rounded edges to give a softer and warmer impression. It comes in three weights (light, regular, and bold) with matching obliques. Its simple, compact, and tightly cornered forms lend themselves well to screen-reading.
Italian Art Deco and early 1900s advertising and shop signage were the inspiration for Binario. It also to pays homage to early modernism’s optimism, modularity, and efficiency. The shape of the rounded counters are based on the curve of the classic Roman arch. The bold has a vertical emphasis and is suitable for headlines or large body text. The light is more open and provides a nice pairing to the regular or bold weights as body text or as large display text. It comes with a small set of dingbats; an arrow, a printer’s fist, a train, some flowers, and several interface icons.
Aila is a surprising slab serif built on the structure of a realistic Roman, but with unique organic features that make this typeface an exercise in tension between structure and rhythm. This expressive tension is displayed in heavier styles (Aila Bold and Aila Black), and is strongly evident in the italic forms. Aila’s italics offer an interesting re-interpretation of the cursive ductus of classic italic forms, to offer rhythmic and swift variants, which are the ideal counterpoint to the regular set in body text.
Each style of the Aila family offers an extended character set specially designed for editorial design projects.
Handcrafted signs line the stoned walkways of old Italy. Some a century old, these often forgotten works of unknown artists remain etched across cities and villages. But now, they make their inviting impressions once again as the inspiration for insigne design’s Gineso Soft typeface.
Gineso Soft absorbs the personality of northern Italian posters, headlines and logotypes, providing a type especially nice for signs and titling with its condensed qualities. The font contains matching italics for the the eight weights and three widths. We’ve also included small features along with fractions and superior / inferior characters to broaden your options. Even more, Gineso Soft is ready for all applications and features a large character set for the languages and literature of Europe.
So add a soft touch the next time you’re in a tight spot. Add Gineso Soft and make your project a work to be remembered.
Mares is a typeface inspired by the American psychedelic movement from the mid 1960’s where capitals and lowercase used to be mixed and distorted to become part of the image.
Mares is a bold and modern psychedelic font for use on special occasions.
The bigger the better.
The M XiangHe Hei Traditional Chinese typeface merges traditional brush strokes with modern letterforms to carefully balance traditional calligraphy with humanist design. Named for the smooth movements of a flying crane, the M XiangHe Hei typeface is designed to glide across the page, and features strokes that are partly derived from the Kaishu calligraphic style – an everyday script which dates back hundreds of years.
M XiangHe Hei TC features Neue Frutiger for its Latin glyphs, and works harmoniously Neue Frutiger World and Monotype’s CJK typefaces: Tazugane Gothic (Japanese) and Seol Sans (Korean). M XiangHe Hei TC is a great choice for global brands using sans serif Latin typefaces looking to maintain their visual identity, and communicate with a consistent tone of voice with Traditional Chinese.
The M XiangHe Hei TC fonts have over 19,000 glyphs, and support the BIG5/HKHCS and CP950 character sets for Traditional Chinese.
The M XiangHe Hei Simplified Chinese typeface merges traditional brush strokes with modern letterforms to carefully balance traditional calligraphy with humanist design. Named for the smooth movements of a flying crane, the M XiangHe Hei typeface is designed to glide across the page, and features strokes that are partly derived from the Kaishu calligraphic style – an everyday script which dates back hundreds of years.
M XiangHe Hei SC features Neue Frutiger for its Latin glyphs, and works harmoniously Neue Frutiger World and Monotype’s CJK typefaces: Tazugane Gothic (Japanese) and Seol Sans (Korean). M XiangHe Hei SC is a great choice for global brands using sans serif Latin typefaces looking to maintain their visual identity, and communicate with a consistent tone of voice with Simplified Chinese.
The M XiangHe Hei SC Std fonts have over 8,000 glyphs, and support the GB2312 character set for Simplified Chinese.
The Seol Sans design offers a fresh palette for designers working with the Korean alphabet, particularly those looking to pair Latin and Korean alphabet (or Hangul) forms without creating typographic friction. The choices for Hangul fonts that work well with humanist Latin typefaces are limited. As Monotype’s first original Korean design, the Seol Sans typeface is a humanist take on the traditional rigid and hard designs of Hangul characters.
The Seol Sans design more closely resembles the natural curve of hand-written characters. Seol Sans features Neue Frutiger for its Latin glyphs, and works harmoniously with Neue Frutiger World and Monotype’s CJK typefaces: Tazugane Gothic (Japanese) and M XiangHe Hei (Chinese). Seol Sans is a great choice for global brands using a Sans Serif design looking to maintain their visual identity, and communicate with a consistent tone of voice in the Korean market.
Seol Sans has over 18,000 glyphs, and supports the Adobe-Korea1-2 and KS X 1001:2004 character sets.
Neue Frutiger World is designed for global use with an impressive range of 10 weights, from Ultra Light to Extra Black, with matching italics. It embodies the same warmth and clarity as Adrian Frutiger’s original design, but allows brands to maintain their visual identity, and communicate with a consistent tone of voice, regardless of the language. Neue Frutiger World supports more than 150 languages and scripts including Latin, Greek, Cyrillic, Georgian, Armenian, Hebrew, Arabic, Thai and Vietnamese.
“Before Neue Frutiger World it was not an easy task for western brands to find families in Arabic, Hebrew, Thai and Vietnamese which match with their Latin,” says Monotype type director Akira Kobayashi, who led the Neue Frutiger World project. “They may find a type with closer expression, but there was no guarantee if the bold version in the non-Latin family matches the bold in their Latin. Neue Frutiger World offers a better solution.” In addition to Neue Frutiger World’s linguistic versatility, it works hard across environments – suited to branding and corporate identity, advertising, signage, wayfinding, print, and digital environments.
The Neue Frutiger World fonts can be paired with Monotype’s CJK fonts: M XiangHe Hei (Chinese), Tazugane Gothic (Japanese) and Seol Sans (Korean). These were all designed to address brands’ needs to expand into Asian cultures and solve for global typographic challenges.
Hotdogger is family of cursive brush fonts, presented in two weight and completed with a sans serif font and an useful pack of graphics to play with. These fonts are specially designed for meal’s packagings and labels, advertising posters, lettering logos or whatever you may looking for an expressive works..
Hotdogger contain full OpenType features and support CE languages.
First and foremost, Reserve is a companion typeface developed to complement the Scotch Suite of typefaces.
With a focus on producing simpler forms with less contrast, Reserve evolved into a fantastic serif typeface for long-form text settings, exceptional clarity at low resolutions—for print and screen. Friendly and functional, Reserve is replete with features intended to make you feel comfortable going back to again and again, and with a complete set of condensed fonts, this typeface becomes more of a surprise.
Small Caps, 4 sets of numerals, Case-Sensitive forms, Stylistic, Swash and Titling Alternates, Fractions, language support, and more… it’s all there, ready for you to use. The term ‘Reserve’ as it applies to the words of wine and spirits is typically used to alert a consumer of a higher quality, exceptional vintage, or special production of wine or whisky… it’s no different for this typeface’s name. Cheers.
Auster, A Sans with Flair!
Auster packs sensational personality in its fine-tuned forms. Confident and quirky, yet comfortable to read, this distinctive san serif family stands out from the crowd. The curves cinch and strokes flair in unconventional places making Auster an unashamed rebel sure to turn heads.
Originally designed during the TipoBrda Workshop in Slovenia. Resistenza spent 3 years developing this 2 style (roman & Italic), 20 weight family. The subtle reverse contrast characters were first painted with a flat brush, then polished in pencil on tracing paper before being carefully digitized, to include language support and all the opentype features you expect in a quality contemporary font.