A heavy serif font with a handmade feel, Walden gives a hearty impression.
Despite its rustic appearance, Walden is perfectly adaptable to contemporary use, wherever a bit more character is needed. Decidedly kept simple, these three weights with matching italics is all you need.
VLNL Berlagebrug
Designer Donald DBXL Beekman daily crosses the Berlage bridge spanning the Amstel river in Amsterdam. The Berlagebrug was built as part of the city planning project ‘Plan Zuid’ by H.P.Berlage and opened in May 1932. Its name, carved out of two granite headstones, sparked the design of this font family. The original lettering is attributed to Anton Kurvers in the early 19th century, and can be seen on many Amsterdam buildings and bridges. It’s typical lettering of the Amsterdamse School, the Dutch equivalent of the expressionist art deco architectural style, and mostly known for its extravagant brick work.
VLNL Berlagebrug is a rounded display font that comes in three outline styles matching the building materials used in the bridge. Gietijzer (cast iron) is smooth, Zandsteen (sandstone) has a softly distressed outline, and Graniet (granite) is outspoken rough and crumbled. The capital letters in VLNL Berlagebrug are in the Amsterdamse school style, the lowercases are more straight alternate capitals, giving you more design options.
Balzac is a script typeface published by SoftMaker.
Introducing a new Pchycedelia font trio called Lucidity. Embracing the pcychedelia era combined with modern touch. Lucidity font family comes with open type features such as stylistic alternates & ligatures.
Lucidity is mainly intented for logo, headings, branding, magazine, cover album, book cover, movie, apparel design, quotes, invitations, flyer, poster, greeting cards, product packaging, printed quotes, etc.
Disalina is a typeface adjusted to your needs. You are looking for geometrical shapes, stylized ligatures or lettering reminiscent of Art Nouveau? Three stylistic sets that are included in every weight will make your project more creative. The Disalina family was inspired by the lettering and posters of late 1800s and the beginning of the 1900s. It merges beautiful vintage design and modern graphic thinking.
The whole family consists of 7 weights – you will find different opentype features such as ligatures, stylistic sets, arrows, swashes and more. Disalina is a true friend – no more different fonts to mix & match different styles.
Époque initially came from composing a fashion catalogue with some materials from the Brazilian Amazon. The pieces of the collection used natural caoutchouc as raw material and the design of capital letters use forms that refer to the typography of the historical period 1890 - 1910 in which caoutchouc was the main driving force of the Amazonian economy. This typeface has a complete set of numerals, a set of standard ligatures, in addition to alternates in specific glyphs and a large set of discretionary ligatures composed mainly for UPPERCASE. Époque family is comprised of four weights without italics. It’s a typeface recommended for titles, logos, and posters.
Decadent, baroque and refined.
Sinuous curves, ornate swashes and alternates that can be customized to suit your burlesque ball, bodice-ripping romance novel or high-fashion label.
The “Swash” version includes swash capitals that can be toggled on or off using the ‘swash’ option in Adobe apps.
The “Title” version includes drop-caps that connect with an underline that runs under the regular characters. These again can be toggled on and off using the ‘swash’ option.
Also includes optional stylistic alternates and ligatures.
The Carlsbad font family is a bringing together of Regina Cursiv and Hansa Cursiv which both had been released by H. Berthold Messinglinienfabrik und Schriftgiesserei around 1895.
Both these beautiful Art Nouveau italic fonts come with the following swash alternatives: D, E, G, H, K, S, T, h, k, m, n, s, and z.
Freehouse is a reinterpretation of the well-remembered Watney’s logo, a brewery and pub chain infamous for its poor quality beer and brutalist decor. In Design Research Unit’s corporate guidelines from 1966 the font is described as Clarendon Bold Expanded — however, this is not the case. Clarendon has square serifs, whereas the Watney’s font is rounder and friendlier. A fixture of the Britsh high street landscape for decades, this digitisation adds a full international character set, numbers, punctuation and many other characters that did not exist in the original. A distressed version that evokes rough print on a wet beermat has also been developed.
This font family is based on the alphabet designed by Frank Lloyd Wright for the “Eaglerock” project in 1922. The Eaglefeather Pro family features expanded OpenType font options. It contains 15 pro styles and 20 basic styles in 5 weights- Hairline, Light, Regular, Bold, and Black. In addition to small caps, italics, and a unique “informal” version (an upright italic.) There is coverage for Cyrllic, Greek and European Latin languages.
Opentype features include automatic fractions, optimized kerning, and localized language features. Alternate forms of capitals A,H,N, & S are also included for added flexibility. The full range of weights and styles allows for expanded typographic possibilities in a wide variety of uses.