Anna Pizzey

Conamore is a new Humanist Sans family. It consists of 16 styles (8 weights and 8 italics).

The structure of the typeface is in a position that is neither too modern nor too classic.
It was based on humanist frame and style, but we controlled the shape and removed potential eyesores so it can be easily recognized by people.

These characteristics are suitable for the design requirements, such as editorial design, packaging, branding, and display.

Cocogoose Classic is a geometric sans serif typeface designed with straight, monolinear lines and circular or square shapes. Its strong, modernist look has been soft ended by rounded corners and slight visual corrections that make Cocogoose Classic not only perfect for logos and headings with a vintage feel, but also very readable as a text font, thanks to its generous x-height.

Cocogoose Classic is part of the Coco Gothic family, a collection of twelve typefaces each inspired by the fashion mood of every decade of last century, named in homage to fashion beloved icon Coco Chanel. Its strong character makes it ideal for display uses.

Heraklion letters are drawn with their gravity in the metric vertical – instead of resting on a baseline, they dance acrobatically on a string. This allows for a more drastic variation among the glyphs, which no longer have a fixed x-height.
In order to create a simplistic and mathematic character, shapes are constrained to circles and straigh lines. The design principles result in a playful expressive set that is surprisingly clear. “A choreography where the individual actors freedom of expression is enclosed in foundational rules that create interconnectivity and belonging.”

Body is a type family designed for Zetafonts by Cosimo Lorenzo Pancini with Andrea Tartarelli. Conceived as a contemporary alternative to modernist superfamilies like Univers or Helvetica, Body tries to maximize text readability while providing a wide range of options for the designer. It comes in two variants (Body Text and Body Grotesque), each in four widths and four weights: regular and bold for basic typesetting, light and extrabold for display use.

Body Grotesque applies to the sans serif modernist skeleton little imperfections and quirks inspired by our research in early 20th century type specimens. Curves are slightly more calligraphic and a light inverse contrast is applied to bold weights, giving the typeface a slight vintage appearance in display use.

Body Text, on the contrary, challenges the modernist aesthetics maximizing horizontal lines and using open terminals for letters like “s” and “a” that appear normally dark in modernist grotesques.

For both variants, the normal width family is slightly condensed in an effort to maximize space usage; the Slim width is provided for extremely dense texts or side notes while the Fit width is optimized for display usage as in logos, headings or titles. The Large width manages to look elegant in its light weight while becoming a valid heading or subtitle font in its extrabold weights.

All the 64 fonts in the Body superfamily include a complete latin extended character set with small caps for over 70 languages, Russian cyrillic, open type positional numbers, stylist sets and alternate forms.