Anna Pizzey

Introducing Seville Script Fonts the legacy, lifestyle and casual luxury with a natural free flow. This fonts also looks very sweet with her simple style. This fonts contains 4 variations, with opentype features such as stylistic alternates and gorgeous ligatures (225 Ligatures).

Seville Script Fonts perfectly paired with various visual needs with the concept of simplicity. It’s great for logo, printed quotes, badge, insignia, packaging, headline, poster, t-shirt/apparel, greeting card, and wedding invitation, & etc.

Seville Script Fonts includes 40+ Exclusive Wreath Logo Templates and hundreds of illustration objects that can be arranged into many logos or various other projects which you can modify as you want to create some gorgeous designs.

Worthington Arcade is a classically-proportioned capitals-only type incorporating a selection of ligatures and alternates.

It loosely resembles the hand-painted architectural lettering of the 30s to the 50s, exemplified by the likes of Percy Smith’s interior signage for the BBC or George Mansell’s lettering for the University of London and the signs found on London’s bridges. However, rather than a slavish copy of any historical model, it is more an examination and evocation of certain idiosyncratic quirks of civic lettering of the period, and an attempt to create a peculiarly English titling typeface.

The round letters, for example the O, Q and C, are wider than the perfect circle usually found in such designs, while the straight-sided characters, usually drawn on a square, are narrower. This lends the whole a subtle elegance that is also emphasized by the raised crossbars on the H, E and F and extended lower leg of the E.

Includes old-style numerals.

TOPPLER is a top-heavy comic font, K-Type’s salute to nineties freebies such as Ben Balvanz’s Baby Kruffy, Comix Heavy from WSI, and Dave Bastian’s Startling. Unlike those glorious fonts-of-old, Toppler contains a complete repertoire of symbols, dingbats and Latin Extended-A accented characters, as well as a proper lowercase, careful spacing and tasty kerning. Toppler also boasts cleaner outlines and more refined shapes.

The Toppler family comprises four fonts that share spacing and kerning, so can be overlapped to produce bicolor and multicolor effects. In addition to the regular, solid style of Toppler, there is a shaded ‘Popdots’ style, plus thick and thin outline fonts.

Shorthalt is a dashingly handsome upright script- all dressed up, but not too stuffy, with lots of ligatures and contextual alternates. Shorthalt works great for headlines or bylines paired with a nice simple sans or serif.