Geraldton is a warm and friendly geometric sans-serif typeface in 8 weights with matching italics. Its low x-height and sharp angles are inspired by geometric types of 1920s and 1930s completed with a slight modern humanist touch.
It features support for all European Latin-based languages as well as Cyrillic script. Apart from being equipped with numerous OpenType features, it also contains dozens of computer-related dingbats.
Cold Cuts is an assorted spread of delicious fonts pre cooked to perfection. This 10 weight font family is $30 for a limited time it is the perfect way to stock your font fridge. Cold Cuts a lean upright font family with a lowercase caps option to give you bonus typesetting choices. A sleek modern vintage style which has a wide variety of display uses. Bon Appétit!
American Text is a condensed American blackletter published by SoftMaker.
Balloon No2 is a decorative typeface published by SoftMaker.
Binario Soft is a gently rounded version of Binario, which is also available on this vendor’s website.
Binario Soft is a geometric sans serif typeface with subtlly rounded edges to give a softer and warmer impression. It comes in three weights (light, regular, and bold) with matching obliques. Its simple, compact, and tightly cornered forms lend themselves well to screen-reading.
Italian Art Deco and early 1900s advertising and shop signage were the inspiration for Binario. It also to pays homage to early modernism’s optimism, modularity, and efficiency. The shape of the rounded counters are based on the curve of the classic Roman arch. The bold has a vertical emphasis and is suitable for headlines or large body text. The light is more open and provides a nice pairing to the regular or bold weights as body text or as large display text. It comes with a small set of dingbats; an arrow, a printer’s fist, a train, some flowers, and several interface icons.
Bourget is a Display-Sans, which is inspired by the Art Déco Typography of the 1920´s, 1930´s years. It has a very characteristic and unique style by its thin line through every letter. The upright and italic versions have each 750+ Glyphs with Open Type Features, playful Ligatures and a lot of Alternates as Stylistic Sets. So there is a lot to discover and to play around with. Bourget is good to use for Branding, Signage, Packaging, Invitations, Advertising, Headlines, Displays, Magazines, Book titles or everything you want to use it for. Bourget has an extended character set to support 219 latin based languages in 212 countries and Pinyin.
Eight years after the initial release of Brandon Grotesque, the typeface has grown into a font family of 48 styles, including a version for small sizes and a space saving condensed version. This type family was completely drawn from scratch with the look and feel of the original normal-width version. Today, Brandon supports at least 116 languages, from Latin based languages to Greek and Cyrillic.
Based on a Monotype 1930s condensed poster typeface, Placard Next is bursting with personality. Unexpected details appear throughout the design, from its wedged diagonals and single storey a to its round tittles – which would more ordinarily be square, and mechanical. The warmth and quirkiness of its character really shines through when set at larger sizes, making this a typeface for posters, headlines, and anywhere else designers need to make a statement. Designer Malou Verlomme has paid particular attention to the typeface’s ‘word images’, further amping up its impact, and added some vintage flavor with Placard Next Round.
As well as a striking display typeface, Placard Next’s four widths and six weights – hairline to bold - mean it’s a versatile design, that can be adapted for use in almost any environment. The complete family contains 48 fonts: 24 in Placard Next and 24 in Placard Next Round. It includes a large multilingual character set.
Addressotype Slab is the serifed cousin to Addressotype, a constructed, streamlined gaspipe design with gently rounded forms. Perfect for getting the right vintage look, but also solid on its own for modern branding and identity projects. And if you want to grab attention, layer in the extra deep drop shadow for a bold statement!
From the incredible well of creativity that is Maybelle Imasa-Stukuls we bring you Specimen V. A quirky serif family paired with natural history inspired illustrations.
OBSERVATIONS
Specimen V is a hand-drawn font, inspired by classic serifs. Created with all the quirks and charm you'd expect from Maybelle Imasa-Stukuls. The sky’s the limit with this nimble font.
DEFINING CHARACTERISTICS
Specimen V comes in a 3 variation family-standard, perfectly imperfect and smooth. Opentype programming and old style numerals. The family includes a set of 13 natural history inspired vector illustrations + hi-res pngs, created by our in-house Rare Bird illustrators.
POTENTIAL SIGHTINGS
You'll catch glimpses of Specimen V on the playground, in that cute new neighborhood boutique, in your local bookseller, and on your most eccentric uncle’s wedding invites. Only the most charming of applications will do.
The origin story of HANLEY FONT COLLECTION all starts with the Script. We were designing logos and kept feeling like we needed a different kind of script, vintage feeling but not dated, and not too baseball-y or too formal. We couldn’t find exactly what we were looking for, so we decided to create it ourselves. After that we realized what we really wanted was good wood block looking lettering especially with small caps. And the collection just grew from there - a tall slim style, a monoline version of the script and of course a good sans. We topped off the group with a large selection of catchwords and extras with plenty of swirls, swashes and frames. Hanley has just enough irregularity to the edges to impart a human feel, but it’s still clean. Super versatile, all the styles work well together and can look authentically vintage or modern and hand-crafted.