Anna Pizzey

Hirradista Script is modern calligraphy font. This font is casual and pretty with swashes. Can used for various purposes. such as logo, product packaging, wedding invitations, branding, headlines, signage, labels, signature, book covers, posters, quotes and more.

Hirradista Script features OpenType stylistic alternates, ligatures and International support for most Western Languages is included. To enable the OpenType Stylistic alternates, you need a program that supports OpenType features such as Adobe Illustrator CS, Adobe Indesign & CorelDraw X6-X7, Microsoft Word 2010 or later versions.
How to access all alternative characters using Adobe Illustrator: https://www.youtube.com/watch?v=XzwjMkbB-wQ

Hirradista Script is coded with PUA Unicode, which allows full access to all the extra characters without having special designing software. Mac users can use Font Book , and Windows users can use Character Map to view and copy any of the extra characters to paste into your favourite text editor/app.How to access all alternative characters, using Windows Character Map with Photoshop: https://www.youtube.com/watch?v=Go9vacoYmBw If you need help or have any questions, please let me know.
I'm happy to help :)

Thanks & Happy Designing!

Dethalia Script is a font that has various basic lines, fine lines, classic, elegant, modern touches. It can be used for various purposes.

If you want to use it for your work, this font can be used easily and simply because there are many features in it to load lower complete letter sets and include initial and terminal letters, alternatives, ligature and support for many languages.

To enable OpenType Stylistic alternately, you need a program that supports OpenType features such as Adobe Illustrator CS, Adobe Indesign & CorelDraw X6-X7, Microsoft Word 2010 or newer versions. This font provides PUA Unicode (only font code).

There are several additional ways to access alternatives / swash, using Character Map (Windows), Nexus Fonts (Windows), Font Books (Mac) or software programs such as PopChar (for Windows and Mac).

Sparrowhawk Script is retro signage font, bold and clean. There are so many variations on each character. Include Opentype stylistic alternates. You are able to create so many different typographical layouts easily and quickly. Make sure you use OpenType savvy program and simply open Glyph Palette to access all of the glyphs. This font is suitable for t-shirts, signage, logos, headlines, branding, packaging, etc.

Sparrowhawk Script features 460+ glyphs and alternate characters. including initial and terminal letters, alternates, ornament, swash, ligatures and multiple language support.

To enable the OpenType Stylistic alternates, you need a program that supports OpenType features such as Adobe Illustrator CS, Adobe Indesign & CorelDraw X6-X7, Microsoft Word 2010 or later versions.

How to access all alternative characters using Adobe Illustrator:
http://youtu.be/iptSFA7feQ0

Sparrowhawk Script is coded with PUA Unicode, which allows full access to all the extra characters without having special designing software. Mac users can use Font Book , and Windows users can use Character Map to view and copy any of the extra characters to paste into your favourite text editor/app.

How to access all alternative characters, using Windows Character Map with Photoshop:
https://www.youtube.com/watch?v=Go9vacoYmBw

If you need help or advice, please contact me by e-mail "[email protected]"

Nameh is a single weight sans-serif headline font designed by Naghi Naghashian. It is a condensed big title font. This font is a contribution to modernize the Arabic typography, gives the font design of Arabic letters real typographic arrangement and provides more typographic flexibility. Nameh supports Arabic, Persian (Farsi) and Urdu.

It also includes proportional and tabular numerals for the supported languages.
Nameh design fulfills the following needs:

A Explicitly crafted for use in electronic media fulfills the demands of electronic communication.

B Suitability for multiple applications. Gives the widest potential acceptability.

C Extreme legibility not only in small sizes, but also when the type is filtered or skewed, e.g., in Photoshop or Illustrator. Nima’s simplified forms may be artificial oblilqued in InDesign or Illustrator, without any loss in quality for the effected text.

D An attractive typographic image. Nameh was developed for multiple languages and writing conventions. Nameh supports Arabic, Persian and Urdu. It also includes proportional and tabular numerals for the supported languages.

E The highest degree of calligraphic grace and the clarity of geometric typography.

Imagine America in the 1930s. A gangster flick with Al Capone, a crime novel featuring Philip Marlowe. Our hero in a fedora sits in a classy bar, orders a double bourbon, lights a cigar and eyes the evening paper. He turns the pages, reading about a bank heist over on Third Avenue, a scandal involving a baseball player, a small ad for a general practitioner and a large spread about a famous law firm. What do the bottle of booze and the majestic facade of the bank have in common? The elegant baseball uniform and trustworthy attorneys?
- Copperplate Gothic -

When Frederick William Goudy created his legendary typeface in 1901, it went on to literally become the symbol of early 20th century America. Tiny serifs, characteristically broad letterforms, and particularly bold titles decorated calling cards at 6-point size, enormous bronze-cast logos, newspaper headlines, restaurant menus and more. This was the golden age of Copperplate, lasting up until the arrival of die neue Typografie and monospaced grotesques in the 1960s.

Then the typeface almost completely disappeared. It made a partial comeback with the advent of the personal computer; digitizations of varying quality appeared, and one version even became a standard font in Adobe programs. This may have played a role in Copperplate later being used in DIY projects and amateur designs, which harmed its reputation.

Copperplate New has been created to revive the faded glory of the original design. Formally, the new typeface expands the existing weight and proportional extremes. The slight serifs are reduced even further, making the typeface sans-like at smaller point sizes and improving readability. In contrast, at large point sizes it retains all of its original character. Decorative inline & shadow styles have been added and both have been created in all five proportions, making it easy to adapt the typesetting to the format you need. Despite these changes and innovations, Copperplate New remains true to Goudy’s original design and represents a snazzy way to evoke a golden era in American culture.

Copperplate New specimen: http://carontwice.com/files/Copperplate_New_specimen_Carontwice.pdf