Anna Pizzey

UMBA Sans is a contemporary typeface designed by Anita Jürgeleit. The wide shaped curves show a new aesthetic appeal in an unexpected pleasant way. Umba Sans fulfills your corporate design needs as well as your editorial demands and helps to push your design to the next level.

Thirty styles from thin to bold and matching italics - as well as small caps and alternates - help you create a contemporary design.

Umba Sans provides a wide range of variations. Your design may have many faces but it all matches together. More Separate styles for alternate and small caps will show up in your font menu, making sure that you stay aware of the wide range of possibilities your new favourite typeface provides.

Want to know more? Lets get in touch! INSTAGRAM @anitajuergeleit +++ FACEBOOK AnitaJuergeleitTypefaces +++ TWITTER AnitaJott

Say hello to State, this family is inspired by sport and a further development on Comply Slab.

This family of fonts has some bold letters as well as stylistic alternates to give your layouts some interesting variation.

State comes in 3 styles, Regular, Soft and Rough each with 7 weights and italics.

It was specifically designed with a wider structure for better appearance in small sizes and the extra attention to the detail was needed for the big sizes.

Use State to get the delivery you need, whether its for print, online or Television.

The Revla family just keeps expanding! This is Revla Slab. It has the same exuberant charm as its siblings (Revla Sans and Revla Serif) with a touch more chunk.

OpenType contextual alternates make for text that is lively and bouncy, without the monotony of obviously repeating letterforms.

More Its shamelessly fun, but pretty serious at the same time. The range of weights can be used to maintain an even colour across different sizes - use lighter weights for bigger sizes and vice versa.

OpenType features include automatic fractions, ordinals, contextual alternates (which along with the pseudo-randomness, help maintain a nice tight fit with minimal glyph collisions), standard and discretionary ligatures (OK, only one discretionary ligature, but its a belter!), and case-sensitve forms.

Obviously, in sharing a common skeleton, it will work well with other members of the Revla Superfamily, particularly Revla Sans.

Celaraz is a typeface with structural forms and pushes the stroke contrast. The idea evolved from the didone styles and wedge serif forms to feel explicit with the contrast remain visible and consistent on each character.

To avoid the dark spot several characters were adjusted by adding the static traps to keep visibility.

The final result with contemporary styles makes this typeface well-suited for large setting display as well as medium size design.

Celaraz consists of four weights with companion italics.

La vie est une fleur dont l'amour est le miel Fleur is the french for flower and I've chosen this language for a good reason.

Over the past 5 years, I've had the opportunity to travel a lot to Paris and I've always tried to catch every moment, and detail of this delightful city through the eyes of the designer inside me.

More Paris is full of surprises mainly for us, artists. In fact, I believe the city is a museum itself. Every corner of any street has something inspiring. But, theres something I particularly love and I want to address here: The Palais Garnier.

Built between 1861 and 1875, this opera house is a dream made true for many of us, who love somptuosité.

Garnier, the architect of this magnificient building, said that the style he proposed was not Grecian nor Roman/baroque, he created something new and called it Napoleonic: Luxurious at its best.

Fleur is inspired in this palace which, in fact, has some similar letters inside.

Garnier put his name at the ceiling of the Rotonde des Abonnés: Letters are interlacing each other with nicely done art nouveau curves.

I thought I could take this idea and achieve something very delicate and imposing at the same time if the font consisted entirely of caps with the logic of a didone and a bit of art-nouveau.

This mix of elegance and flamboyance gave birth to Fleur which has a wide range of uses but was mainly intended for perfumes, fashion magazines, storefronts, book covers or logos.

Not only you'll find many decorative glyphs, but also a vast amount of unique ligatures will make you really adore this font.

Get Fleur and profite de la vie. TECHNICAL As suggested above, the font has many open-type coded alternates and a vast amount of unique ligatures.

Install the font in applications that support them, like Adobe Illustrator of Photoshop.