Anna Pizzey

Thanks for checking out Faith and Glory! These 2 hand-painted brush fonts are designed to perfectly combine with one another and allow you to create beautiful rustic typography with a personal touch.

Ideal for; Logos, printed quotes, invitations, image overlays, greeting cards, product packaging, text headers, & whatever else your imagination holds! Faith and Glory One Is a script font which includes upper & lowercase characters, punctuation, numerals, and multilingual support.

Alternates are available for several lower case characters, these are accessible by turning on Stylistic Alternates, or via any software with a Glyphs panel.

More Faith and Glory Two is a condensed brushed font containing uppercase only characters, punctuation, numerals, and multilingual support are also included.

Alternates are available for key characters, you can access these simply by switching between upper & lower case glyphs within the 2 fonts (e.

g. typing A and a will give you 2 alternate characters).

Bivona is a superific, energetic font! Its fun and playful and begs to be included in anything that requires a large amount of zazz.

It contains a full Mac OS character set with Latin Support. Most European languages are supported. We'd love to see what you use it for! Would be great on a candy or cereal box packaging.

Also would be great to see on a toy package or even a billboard somewhere.

More Your imagination is the limit with Bivona ; D

Inspired by the elegance of Herman Zapfs designs crossed with the readability of early 20th century Gothic fonts by Morris Fuller Benton, 19-PRA is a sans-serif with a visible stroke contrast and a humanist tone of voice.

The large x-height seen in fonts like News Gothic and Palatino increases legibility and condensed proportions give excellent readability making it perfect for newspaper and magazine publishing.

A typeface that can serve for both body text and titling the uppercase excels for headlines and renders beautiful brand names when tracked out.

More It sets well with both a serif or sans serif and has various open type features including: 12 standard ligatures, 3 discretionary ligatures, tabular figures, old stye figures as well as European accents.

The Enagol Math family consists of 4 weight plus True italics. It is a typeface with rounded Slab-Serif of Semi-Condensed proportions. I have composed all the proportions of the character based on a study of mathematical proportions related to the golden sequences of Perrin, Lucas and Fibonacci.

From an initial matrix of golden proportions applied in the letters H for capital letters and n for lowercase letters, calculated for the versions of the extremes of the Light and Bold type, below I do the whole calculation of proportions using my formula of three axes and by interpolation I generate the intermediate versions Regular and Medium.

For the Italic versions I have drawn a complete set of lowercase letters that give these fonts an aspect close to the Italic writing.

In these versions I have also applied many optical corrections to balance the deformations created in many curves by the mere inclination of the letters, which in the case of this type is 11°.

Bellfort Draw family is a hand-drawn version of the Bellfort family. It features 5 different sub-families: Regular, Rough, Hollow, Dark, Script. Each of these sub-families contains up to three font weights. When the font is used in OpenType-savvy applications, the 3 variants of glyphs are automatically alternated to achieve a random-like effect.

When not using the Contextual Alternates feature, you can still pick the alternates in the Glyphs palette or use the alternates available from the keyboard upper and lower case.

Bellfort Draw Script is a handwritten, fully connected script with ligatures and contextual alternates to help with flow and readability.

More Language support includes Western, Central and Eastern European character sets, as well as Baltic and Turkish languages.