Anna Pizzey

SUSHI is an unusual font family (2 styles), created by Bartosz Panek. The idea was created while working on the design of a certain logo. With time, a whole font was created from modular elements, which in its form brings associations with food, fish and sushi.

The font contains uppercase characters, numerals and a large range of punctuation (over 220 glyphs).

Avelia is a high contrast typeface with multilingual applications. Slender lines and great legibility make it perfect as a display font. With curves in all the right places, it is great for editorials and other commercial use.

Avelia decorative font consists of 426 characters, including uppercase, lowercase, numbers, small caps, ligatures and accents.

With its condense character, Avelia is very effective and useful for uses in works such as Packaging, Logo design, Headlines and derivatives of modern Art Deco.

XXII GeomSlab are the additional slab-serif styles to the geometric sans-serif XXII Geom. XXII Geom and XXII Geom Slab are modern geometric type systems designed with focus on functionality & legibility and with an eye on the old masters.

Their well balanced low contrast letter shapes come with a tall x-height. With its range of Opentype features it is designed to fulfill the needs your content deserves (Smallcaps, Case Sensitives, Ligatures) as well as serving your individual taste (Stylistic alternates & Sets).

More information on Behance.

The inspiration source for MFC Sansome Monogram is a decorative serif lettering style that comes from the book Hendersons Sign Painter from 1906.

Known as Rustic Roman and originally designed by John F. Irwin, this fantastic typeface has been digitally revived and expanded for monogram designs.

While the original lettering did not include numerals and was never originally intended for monograms, its ornate nature lends itself so wonderfully to the craft.

A PDF guidebook for MFC Sansome Monogram is available under the Gallery tab.

Hartwell is a Neo-humanist sans serif type family. Its strokes and terminal are related to the calligraphic shapes from humanist typefaces in sets with geometric touches.

This combination results in a versatile postmodern type family ready to use with many possibilities.

Hartwell comes in 18 weights from thin to heavy plus its matching italics.

Moreover, this family has OpenType features such as arrows, ligatures, fractions, special numbers, alternate glyphs, extended language support and many more.

Hartwell has the ability to blend perfectly in all sort of projects like editorial design, branding, advertising, headlines and short texts.

More Finally, I would like to thank the entire W team and their collaborators for the months of learning, goodwill and make this project possible.