Anna Pizzey

The Revla family just keeps expanding! This is Revla Slab. It has the same exuberant charm as its siblings (Revla Sans and Revla Serif) with a touch more chunk.

OpenType contextual alternates make for text that is lively and bouncy, without the monotony of obviously repeating letterforms.

More Its shamelessly fun, but pretty serious at the same time. The range of weights can be used to maintain an even colour across different sizes - use lighter weights for bigger sizes and vice versa.

OpenType features include automatic fractions, ordinals, contextual alternates (which along with the pseudo-randomness, help maintain a nice tight fit with minimal glyph collisions), standard and discretionary ligatures (OK, only one discretionary ligature, but its a belter!), and case-sensitve forms.

Obviously, in sharing a common skeleton, it will work well with other members of the Revla Superfamily, particularly Revla Sans.

Celaraz is a typeface with structural forms and pushes the stroke contrast. The idea evolved from the didone styles and wedge serif forms to feel explicit with the contrast remain visible and consistent on each character.

To avoid the dark spot several characters were adjusted by adding the static traps to keep visibility.

The final result with contemporary styles makes this typeface well-suited for large setting display as well as medium size design.

Celaraz consists of four weights with companion italics.

La vie est une fleur dont l'amour est le miel Fleur is the french for flower and I've chosen this language for a good reason.

Over the past 5 years, I've had the opportunity to travel a lot to Paris and I've always tried to catch every moment, and detail of this delightful city through the eyes of the designer inside me.

More Paris is full of surprises mainly for us, artists. In fact, I believe the city is a museum itself. Every corner of any street has something inspiring. But, theres something I particularly love and I want to address here: The Palais Garnier.

Built between 1861 and 1875, this opera house is a dream made true for many of us, who love somptuosité.

Garnier, the architect of this magnificient building, said that the style he proposed was not Grecian nor Roman/baroque, he created something new and called it Napoleonic: Luxurious at its best.

Fleur is inspired in this palace which, in fact, has some similar letters inside.

Garnier put his name at the ceiling of the Rotonde des Abonnés: Letters are interlacing each other with nicely done art nouveau curves.

I thought I could take this idea and achieve something very delicate and imposing at the same time if the font consisted entirely of caps with the logic of a didone and a bit of art-nouveau.

This mix of elegance and flamboyance gave birth to Fleur which has a wide range of uses but was mainly intended for perfumes, fashion magazines, storefronts, book covers or logos.

Not only you'll find many decorative glyphs, but also a vast amount of unique ligatures will make you really adore this font.

Get Fleur and profite de la vie. TECHNICAL As suggested above, the font has many open-type coded alternates and a vast amount of unique ligatures.

Install the font in applications that support them, like Adobe Illustrator of Photoshop.

Fifteen hundred years from now, a man will be selected to go back in time to prevent a catastrophic event which turned his world into a dystopia.

Sent back in time, he was enveloped in empyrean fire, the strands of energy that make up time itself.

Crash-landing near Astro City in late 1985, he learned how to master and channel the empyrean forces that had suffused his body -- finally learning to control his powers in time to prevent the destruction of the Space Shuttle Challenger, the event he had been sent to avert.

He described himself to journalists as nothing more than a Good Samaritan, and has continued to help his fellow man in Astro City ever since.

More John JG Roshell has also been struggling with the empyrean challenge of fitting all of Kurt Busieks ASTRO CITY dialogue into balloons with the regular Samaritan font, so he created the Samaritan Tall font to help his fellow comic book letterers! Its kinda the same thing, really.