Anna Pizzey

Whittington is a revival of a congenial ‘modern’ typeface of the mid nineteenth century, unassuming and businesslike with an even colour that reads comfortably over long stretches. It is intended primarily for use in running text.
Whittington provides wide support for west, central, and east European languages that use the roman alphabet. Among its OpenType features are ligatures, small caps, several sets of numerals, contextual alternates, intelligent implementation of long ‘s’, and fractions. For more detail, please see the pdf available in the Gallery.

Mezalia is a one of a kind typeface. Its shapes were strongly influenced by bastarda scripts of high medieval times. Unlike most fonts sharing similar origin, Mezalia is not just another blackletter but a fully functional text typeface, blending medieval poise and character with modern sensibilities. Stroke widths, imitating a broad nibbed pen of a scribe, fluctuate constantly giving paragraphs a characteristic vibrating texture. Despite it’s strong character Mezalia is very legible and will be an excellent choice for a book or an elegant magazine.

Mezalia has two distinct styles: straight and cursive (true italic if you will, although the word is not really correct here), which come in seven weights, from thin to black. Each weight contains a set of old-style figures, lining figures, small caps and ligatures. A separate style containing drop-cap initials is also available.

Descent is a unique, graffiti style, layered type system consisting of a base fill style & an outline style. Based on a signature category of wildstyles by Graffiti Fonts® lead designer Raseone, this family was designed to be rotated 90 degrees clockwise so that the text reads in a downward direction. OpenType scripting enables up to 12 unique variants of any word using alternating patterns of interlocking glyphs.

Gothink is a modern styled typeface. It has 10 weights with four styles. This also include some retro typed, old aged , shadow, outline as well. This style typeface is perfect for your new project.

The Latinka family is a clean modern sans serif font created for website use as for desktop use. It is perfectly suited for graphic design and any display use. It comes with 18 different styles from thin to black. Each weight includes extended language support inclusive Cyrillic and Greek alphabet.

Bega is a simplified sans serif typeface. Formal reduction plays a strong role in its design. This is most visible in its ‘spurlessness.’ The visible strokes (or spurs) have been eliminated from the letterforms that would typically feature them. The lack of spurs in Bega is most-clearly visible when you look at the top-left corners of letters like ‘m’, ‘n’, and ‘r’. The Bega family includes eight weights, which range from Thin through Black. Each weight has two fonts on offer: An upright font, and an italic. Bega’s italics are obliques; their letterforms are slanted. The strokes of Bega’s letterforms all appear to be monolinear; that doesn’t mean that Bega is without contrast, however. Thanks to the family’s large number of weights – eight really is a lot – you can combine two or more of them with each other to create headlines that exhibit quite a bit of contrast! Each of Bega’s fonts includes a full range of numerators and denominators, to use when typesetting fractions, etc. The font’s numerals are proportional lining figures; these have the same height as Bega’s uppercase letters. The lowercase letters’ ascenders are tall, and they rise up above the tops of the capital letters and numerals. Bega’s friendly look makes it an ideal choice for use in corporate communication design. The typeface was designed by Sabina Chipară and Diana Ovezea.

Lalonde Font Family has great readability and can be used for: logos, call outs and headlines for advertising, wedding invitations, t-shirts, signage, scrapbooking, posters, badges, etc.

Lalonde is a modern hand-drawn script font and is available with two formats OTF and TTF and with (Latin-1 Supplement) ÀÁÂÃÄÅÆÇÈÉÊËÌÍÎÏÝ ÑÒÓÔÕÖØŒÙÚÛÜ àáâãäåæçèéêëìíîïñòóôõöðøœùúûüýÿ.

The Sunshine Script is a beautiful script. This is very suitable for beautiful logos, posters, vintage signage, magazines, photography, vintage lettering, and any other design project. The sunshine script comes with a lot of alternates and ornaments.

When it comes to design versatility in typography, variable fonts are hard to beat. Just imagine being able to tweak a font’s height to fill a stretch of vertical space, or being able to lean the letters just so in order to create the perfect slant for your specific project.

As an extension to OpenType, variable fonts are sort of like having a bottomless grab-bag of fonts in a single font file. The designer is able to adjust attributes like width or height with the simple pull of a slider. This type of responsive design is breaking new ground every day, and we're excited to release our own variable font, YWFT Fluctuant.

YWFT Fluctuant is a contemporary sans serif type design with a subtle retro flair. The beauty of this type design is that you can tweak it to your heart’s content – with total ease and absolute control.

YWFT Fluctuant is ideal for logos, branding and identity projects, displays, signage, flyers, headlines, labels, web copy, product packaging, posters, merchandise, menus, and more.

TG Hagia is contemporary serif font inspired by Modern Culture. This font is highly recommended for use as display and body text. Tg Hagia is available in three widths namely regular, semi-bold and bold.

Droob7 is An Arabic typeface for desktop applications, for websites and for digital ads. Currently prepared by the weight one has the alignment between the Arabic and Latin letters to serve the articles sites without resorting to other fonts in the page or article each.
Droob7 font family contains two weights: normal and bold.
This font supports Arabic and Latin, Persian and Urdu.
The font (Droob7) is characterized by clarity and readability and ease of being a promising line very carefully to be used in Web sites (best size is 12-bit).

Calima is a humanist sans serif family available in six weights.
Its design roadmap was quite simple: try to bring the dynamism and spontaneity of italics to a stable sans serif.
The result is a fresh and spirited typeface with clean lines, equally suited for short text and display uses.
The fonts, available in Opentype format, include diacritics for most European languages and a variety of Opentype features : oldstyle and tabular figures, subscript and superscript, fractions, case-sensitive forms, localized forms and more.

NCT Larkspur consists of 12 main styles and 6 small cap styles. It supports all major European languages, Vietnamese, and multiple languages in the Cyrillic script. All styles have the same 1107 glyph character set.

Opentype features include fractions, ordinals, tabular and proportional styles for lining and oldstyle figures, small caps, and case sensitive punctuation.

Separate files with the lowercase replaced with small caps and the default figures replaced with oldstyle figures are ​included​ for people using applications where​ ​​O​pen​Type features don’t work.

If there are characters missing for your project or any other problems, please contact us ​by email at [email protected] or on twitter @nctypographics.