Velour Raw is a simpler, less contrasted version of the display typeface Velour. Velour Raw is legible suitable for text in smaller sizes.
Velour Raw is available in 6 weights, from Thin to Bold, and supports Western, Central and South Eastern European languages.
Mares is a typeface inspired by the American psychedelic movement from the mid 1960’s where capitals and lowercase used to be mixed and distorted to become part of the image.
Mares is a bold and modern psychedelic font for use on special occasions.
The bigger the better.
Constant is a meticulously constructed slab serif display typeface of a sturdy lineage. The strong horizontal and vertical rhythm and calculated angles dominate its appearance, yet sweeping broad shapes infuse the design with an overall warm undertone.
Constant is best suited for setting short headlines, word marks, posters and other visual communication ephemera. Particular when set in all uppercase the typeface’s squarish and resolute nature commands attention and projects authority. Despite the prominent slab serifs and their angular corner details, these fonts work well also for shorter text passages, especially in the lighter to medium weights. When typesetting Constant in paragraphs spanning several lines the face requires a fair amount of leading to not appear vertically compressed.
As customary for Underscore’s catalog the fonts have very extensive support for languages in the Latin script, reaching from Afrikaans to Vietnamese and Zulu. The fonts are carefully spaced, kerned and hinted, and include a variety of typographic glyphs and OpenType features like various ligatures, number features and case alternatives.
Constant has been developed and released in 2018 as the proud forth release from the Underscore label. This design by Johannes Neumeier is available from the Underscore webshop as well as selected retailers.
Roskilde is a city in Denmark, famous for its Rock Festival and its Viking Ship museum. Roskilde font is a very legible headline font.
Lehmann Egyptian is a font of three styles, based on the pre-revolutionary hand set fonts by Berthold and Lehmann type foundries in St. Petersburg. Designed mainly for display typography, the font works well in small texts too. There’s also a quite useful bonus — a stylistic set of historical forms. Lehmann Egyptian was designed by Albert Kapitonov in cooperation with Dmitry Kirsanov and released by ParaType in 2018.