Anna Pizzey

Ukrainian type designer Melnikov Sergey created Flomic font between 2015 and 2016.

Flomic is a geometric sans built from a folded lines. Most effective when used in short words or phrases at larger sizes, where the details can be appreciated.

Malte is a geometric sans-serif typeface, inspired from the modern age. Designed to use as type play, headline, quote and for composition. Malte come with nine weights that mappings to CSS font weights. Malte supported many languages as included extend latin glyphs.

Malte Thai is a geometric sans-serif typeface, inspired from the modern age. Designed to use as type play, headline, quote and for composition. Malte come with nine weights that mappings to CSS font weights. Malte supported many languages as included extend latin glyphs. This package included Thai scripts.

Fright Night is a geometric typeface in a hand made style with inspiration from old horror movie posters. Regular and oblique styles as well as a roughened version of both styles for that vintage feel. Fright Night is a layered typeface that also has an outline and inline style that can be combined together with the regular or oblique style for that authentic horror poster touch. Perfect for display use for print and posters, halloween projects or anything monster related really.

The Latinka family is a clean modern sans serif font created for website use as for desktop use. It is perfectly suited for graphic design and any display use. It comes with 18 different styles from thin to black. Each weight includes extended language support inclusive Cyrillic and Greek alphabet.

Kometa Sans is a contemporary grotesk with a certain personality. She has a steady geometric skeleton, but its appearance is rather humanistic. The precise details of the artwork, the carefully drawn true italics, the six types of numerals, the variety of alternates, the broad range of open-type features and the extensive glyph set can meet most of the contemporary typographer’s demands for a neutral, but not boring type family for both long text and display use. Among the distinctive qualities of Kometa are also the forms of ligatures (both default and discretionary). They follow the natural constructive transitions between oval parts and stems, which is an advantage to mark, at least for designers who respect the beauty of clean forms.

Note the specially designed Kometa Unicase sub-family, substantially enough to exist as a separate typeface. Its elegant and expressive letterforms are boosting further the power to create outstanding design work. Kometa Unicase has original and playful, yet reasonable approach to letterforms variety.

Kometa has a very broad usability range – from logotypes and poster designs to corporate identities and complex editorial projects. The contemporary Cyrillics of Kometa allows easily completion of graphically consistent multilingual corporate and artistic design projects.

Designed by Kiril Zlatkov and Vassil Kateliev.

Ekster is a geometric sans serif typeface from the Parisian designer Ilya Naumoff. Many of its letters are simplified; you’ll find several places in the typeface where the connection of bowls to stems isn’t fussy, for example, and horizontal strokes – like those in the ‘f’ and the ’t’ along the x-height – don’t bisect their letters’ main vertical stems (but populate the left-hand side only instead). Ekster’s lowercase ‘u’ is also symmetrical. The family includes a staggering number of weights – eight in total, and these range from Thin through Black. Each weight has both an upright font and an oblique-style italic on offer. The letterforms in all of the Ekster weights are drawn with virtually monolinear strokes. Ekster’s x-height is moderate, and the lowercase’s ascenders rise up to the same height as the capital letters and the numerals. However, the best feature of Ekster’s fonts is the large number of alternates that they contain. Ekster includes alternate forms for almost every lowercase letter, and some even have more than one alternate available – like the ‘a’, ‘e’, and ‘r’. Ekster is an excellent choice for use in both corporate design and editorial design projects, both because of its range of font weights and styles as well as because of its legibility in text.

Karibu™ is a 100-font original, ultra versatile geometric grotesk family with a lot of character. It is designed for modern projects, to serve as display as well as paragraph text typeface.

It is perfect for lots of design situations - from magazine editorial use, logo design & branding, to web design, user interfaces and mobile applications.

Main features:
- 5 widths (Narrow, Condensed, Normal, Expanded, Wide), each consisting 20 fonts
- 10 weights for each width (from Hairline to Black)
- handdrawn, carefully crafted italics
- alternate stylistic set for more technical and minimalistic projects
- pronounced ink traps and large x-height improving legibility in small sizes and adding strong personality to display sizes
- flatten letter shapes adding vertical rhythm and elegance to narrow widths
- extended latin language support
- OpenType features (case sensitive forms, standard and discretionary ligatures, stylistic sets, contextual alternates, lining, oldstyle and tabular figures, slashed zero, fractions, superscript and subscript, ordinals, currencies and symbols)

Geometric/Technical style logotypes have been developed for car chrome labels since the early 1980’s. Many of these sleek logotypes are lacking an expansive family to enhance and express their brand in a richer sense, becoming true brand workhorses. The Aspire SmallCaps family finds its origin of inspiration in the ACURA automotive company logo, and from there expands to an 6 font family of weights & oblique styles, striving to become a workhorse.

Aspire SmallCaps is perhaps the most true to form tribute to the original all capitals inspiration logotype. It maintains all capital forms (whether standard or smallcaps) and yet is still strikingly powerful in its presence and readability including numerals, and a comprehensive range of weights, creating a straightforward, uncompromising collection of typefaces that lend a solid foundation and a broad range of expression for designers.

Here’s what’s included with the Aspire SmallCaps Family bundle:
- 438 glyphs per style - including Capitals, Small Caps, Numerals, Punctuation and an extensive character set that covers multilingual support of latin based languages. (see the 6th graphic for a preview of the characters included)
- Stylistic Alternates - alternate characters that remove the angled stencil cuts for a more standardized text look.
- 3 weights in the family: Light, Regular, & Black.
- 3 obliques in the family, one for each weight: Light, Regular, & Black.
- Fonts are provided in TTF & OTF formats. The TTF format is the standard go to for most users, although the OTF and TTF function exactly the same.

Here’s why the Aspire SmallCaps Family is for you:
- You're in need of automotive sans font family with a range of weights and obliques
- You're love that ACURA letter styling, and want to design anything within that genre
- You're looking for an alternative to Eurostile with more stylized letterforms.
- You're looking for a battle-tech typeface for your futuristic war chest labelling.
- You just like to collect quality fonts to add to your design arsenal

While the Aspire SmallCaps family finds its roots of inspiration in the ACURA automotive company logo, with its wider base, the Aspire Narrow SmallCaps family condenses those styles into something more suitable for larger bodies of text in a more standardized width.

Aspire Narrow SmallCaps is perhaps the most true to form tribute to the original all capitals inspiration logotype. It maintains all capital forms (whether standard or smallcaps) and yet is still strikingly powerful in its presence and readability including numerals, and a comprehensive range of weights, creating a straightforward, uncompromising collection of typefaces that lend a solid foundation and a broad range of expression for designers.

Here’s what’s included with the Aspire Narrow SmallCaps Family bundle:
- 430 glyphs per style - including Capitals, Small Caps, Numerals, Punctuation and an extensive character set that covers multilingual support of latin based languages. (see the 6th graphic for a preview of the characters included)
- Stylistic Alternates - alternate characters that remove the angled stencil cuts for a more standardized text look.
- 3 weights in the family: Light, Regular, & Black.
- 3 obliques in the family, one for each weight: Light, Regular, & Black.
- Fonts are provided in TTF & OTF formats. The TTF format is the standard go to for most users, although the OTF and TTF function exactly the same.

Here’s why the Aspire Narrow SmallCaps Family is for you:
- You're in need of automotive sans font family with a range of weights and obliques
- You're love that ACURA letter styling, and want to design anything within that genre
- You're looking for an alternative to Eurostile with more stylized letterforms.
- You're looking for a battle-tech typeface for your futuristic war chest labelling.
- You just like to collect quality fonts to add to your design arsenal

Auster, A Sans with Flair!

Auster packs sensational personality in its fine-tuned forms. Confident and quirky, yet comfortable to read, this distinctive san serif family stands out from the crowd. The curves cinch and strokes flair in unconventional places making Auster an unashamed rebel sure to turn heads.

Originally designed during the TipoBrda Workshop in Slovenia. Resistenza spent 3 years developing this 2 style (roman & Italic), 20 weight family. The subtle reverse contrast characters were first painted with a flat brush, then polished in pencil on tracing paper before being carefully digitized, to include language support and all the opentype features you expect in a quality contemporary font.

Roskilde is a city in Denmark, famous for its Rock Festival and its Viking Ship museum. Roskilde font is a very legible headline font.

Wayland (Vølund or Völundr) is the mythical blacksmith from Norse mythology. I chose this name, because Wayland is a bulky, sturdy display font.
Wayland can be used for many types of design, but headlines, posters and book covers spring to mind. Comes with extensive language support.