Anna Pizzey

Radar is a revival of the sans serif typeface “Grotesca Radio”, from the Spanish foundry Richard Gans, which existed from 1888 to 1975. His authorship is attributed to the German type designer and master punchcutter Carl Winkow. Although the new version of this font has always tried to keep accurate similarities with the original typeface, Radar is not intended as a strict revival, but as a contemporary interpretation. In this new version the user can find some alternate characters that give the typeface a more art-déco or neutral flair.

Namyv is first font I did... and for now it’s improved! I combined all the best of Namyv font. It’s unique and interesting.
A great choice for website and app designs.
I'm using Namyv Bold for posters and other print designs. Its very strong!
And you can combine Namyv font with any Sans Serif font. They will look fantastic.
Cyrillic characters included!

Aktifo is designed with two Flavour which carries a modern and contemporary style, based on elementary geometric shapes and constructed of monolinear lines, it was invented to be functional, leaving behind anything that can be regarded as superfluous.

Aktifo comes in 28 styles: there are two types of families Actifo A and Aktifo B from Light to Black, which both have differences in characters and spaces. Developed with powerful opentype features, equipped with extended language support: Cyrillic, Greek (BETA) and fractions, tabular figures, arrows, ligatures and more.

Graphit is a typeface designed by Lit Design Studio & curated by HvD Fonts. It combines clear, geometric shapes with edgy yet finely-crafted details. Graphit features uncompromising characters such as G, Q, f, k and 1. It works well both for impactful headlines and for reading sizes. The type family consists of six weights plus matching italics.

In early 2018, Livius Dietzel & Tom Hoßfeld started developing the typeface’s essential character and released a free font named after the studio, Lit. Just a few months later, Hannes von Döhren had a look at the typeface and suggested expanding it into a family – then publishing it with HvD Fonts. They drew every single letter from scratch, and also decided to give the font a new name — Graphit.

The family features six low-contrast weights, ranging from Black to Thin. Every character has been crafted to give it a distinctive and individual feel. Medium, Regular and Light are optimized for usage in copy text. For smaller font sizes & longer body copy, the alternate character set features a double-story a and a simplified Q, f, r and t for improved legibility. All fonts are manually hinted for optimal performance on digital devices.

Neuville is a geometric and low-contrast sans serif for everyday use related to typography. The shapes of the characters are clear, simple and balanced to allow for legibility and help the typeface deliver the contents with a neutral and objective voice. The Neuville family includes three weights and has a wide range of OpenType features such as tabular figures, numerators and denominators, superscript and subscript numbers, and case-sensitive forms.

Circle typeface is a font inspired by the circle geometric form. The result is a very clean and harmonious design that can be used for many different purposes, contexts and styles.

Epura is a geometric sans typeface named after Épura the base structure for descriptive geometry. Architecture and pure lines have inspired the design of Epura. The alternative shapes for a and g give it an informal look changing the texture of the font. Epura has clean geometric shapes but still infused with identity.

Hefring Slab is a geometric Slab Serif type family. Based on simple geometry, it has minimal stroke contrast, solid serif presence and a uniform thickness of strokes. The family consists of 20 fonts: 5 weights in 4 widths, each in Roman and Italic. Inspired by the work of the renowned Margaret Vivienne Calvert, Hefring Slab is robust, clear and functional. Opentype features include alternative characters, arrows, tabular figures, ligatures and fractions.

Coltan Gea is a Slab Serif typographic family with 6 Weights plus the italic versions all include small capital letters and cryptocurrency symbols.
It is a geometric, minimalist typeface, with neo-grotesque modulations and slightly rounded corners. The typeface has alternative letters and numbers, small caps and advanced OpenType functions. The proportions, metrics and kerning I have configured meticulously for a perfect reading in any size.

HWT Konop is a monospaced (fixed-width) typeface that is also square! Designed by Mark Simonson (Proxima Nova) as square characters that can be arranged vertically or horizontally and in any orientation. To a traditional letterpress job printer, a font like this wouldn’t make much sense. But to a modern letterpress printer it is an unusual and creative design toolkit.

The bold gothic style is reminiscent of gothic wood types but more geometric. Since the characters are meant to be used in any orientation, the usual optical adjustments, such as making verticals thicker than horizontals and making tops smaller than bottoms are set aside. This results in a quirky but charming design.

To provide more design options, Simonson came up with a modular system consisting of three sizes: 12-line, 8-line, and 6-line. These three sizes can be used together like Lego® bricks, with endless arrangements possible. And the sidebearing match so that characters always align when different sizes are used together.

The digital version of Konop replicates the wood type version as much as possible, including the three different size designs. It includes OpenType stylistic sets that allow most characters to be rotated in place, 90° left, 90° right, or 180°, just like the wood type version. Extra characters not available in the wood type version are included with the digital fonts. The set of 3 is priced just $5 more than one single font, so order via “Package Options”

HWT Konop is named for Don Konop, a retired Hamilton Manufacturing employee, who worked from 1959 to 2003. In addition to serving on the Two Rivers Historical Society Board from 2004 to present-day, he was also instrumental as a volunteer in helping with the museum’s move to its current home in 2013.

Audrey is an elegant monolinear Script and Sans font family. Audrey is great for designing headlines, packaging or as a logotype online or offline.

Audrey has three weights of Script and Sans and a set of Ornaments. The weights go following: Regular is twice and Bold is three times as wide as Thin so if you want to have an Ornament example with same stroke width as Script you can set the Script in 36pt Regular and Ornament 72pt Thin -and they’ll have exactly the same width.

Audrey Script is packed with OpenTtype features: Keep Standard Ligatures on for smooth connections and try Swash, Stylistic or Titling Alternas for more showier letters or seek for even more alternates from the Glyph Palette. Script also has Lining numerals as default and Old Style numerals as an OpenType alternates.

Audrey is a close relative to widely popular Cosmopolitan released earlier by Fenotype. Compared to Cosmopolitan Audrey has more geometric forms and bigger lowercase characters with larger x-height.

Inspired by the graphic spirit of old packaging and store signs of Portugal, this font seeks to transmit the warm and sunny sound of Portuguese language in a visual way.
Portuguesa has 3 partners, designed to work nicely together and to complement one with each other.
Portuguesa Script, with friendly and rhythmic personality, great for titles and short text, Portuguesa Caps, with small caps and ligatures that perfectly match (and contrast) with the script version. And Portuguesa Icons, that recalls the legendary blue tiles. This last version was specially designed to mix signs up with delightful combinations for creating patterns, borders, stationary, tableware and all kind of commercial products and projects that needs a memorable strike. The possibilities are numberless.
As a mantra, Portuguesa is always in a positive mood, spreading the “Portuguese art of welcoming people”.

Seja Bem-Vindo!

Bold, graphic and with a strong vertical emphasis. Built from simple geometric shapes, Zeno is similar to some of Joseph Albers’ Bauhaus experiments, though with attention paid to normalising the lettershapes to improve readability.

Aksara is a sans serif font with a geometric touch. Aksara is not purely geometric, proportions have been designed so that all characters can look harmonious and have better readability.
Aksara comes with five types of weights including Italic style, bringing a total of ten styles and has been supported in various languages.