Anna Pizzey

Poly is serif typeface, inspired by vintage travel guides, it comes in 5
weights and 2 styles, a total of 10 weights. Each weights comes with around
500 glyphs and opentype features. Poly is best used for editorial publications.

Indikator is a family of humanist-style sans serif fonts. There are five weights in the Indicator family; these range from Light through Bold. Each weight has both an upright as well as an italic font on offer. The italic fonts contain slanted, or oblique-style letters. The letters in each of Indikator’s weights appear virtually monolinear, in terms of stoke contrast. Strokes end in either horizontal or vertical cuts, rather than in diagonals. The fonts have a large x-height, and the lowercase letters’ ascenders are taller than the heights of the capital letters. Indikator’s numerals are tabular lining figures; these are just as tall as the fonts’ uppercase. The fonts’ OpenType features include alternate forms for the ‘I’, ‘J’, ‘4’, ‘i’, and ‘l’ – as well as a more Scandinavian version of the ‘Å’. There is also an alternate version of the zero, with a slash running through its counter. Indikator had a lot of character and verve than many other humanist sans serif families. It feels a little ‘old-timey,’ like it is channeling design ideas from the first half of the twentieth century, rather today’s Silicon-Valley-style designs. Indikator is an excellent selection for use in corporate communication or editorial design work. It will surely also come to good use in publications about contemporary culture and lifestyle issues. Indikator is the work of Frode Helland, a type designer from Norway.

Author is a family of humanist sans serif fonts. They are optimized for use in modern publications – hence the the name ‘Author.’ Its letterforms are slightly expanded, which gives the counter-forms inside of them enough space to breathe, thus increasing their legibility and helps with their on-screen rendering, too. Author’s family includes six weights, ranging from Extralight through Bold. Each weight has an upright and an italic font on offer. The uppercase letters are virtually mono-linear in appearance; however, several of the lowercase letters have visible stroke contrast. The tops of Author’s strokes terminate in diagonal cuts; these are reminiscent of the broad-pen that would be used to write the humanist letterforms the typeface is based on. In Author’s upright fonts, the lowercase ‘a’ and ‘g’ are double-storied; there is a single-storey ‘g’ in the fonts as an OpenType alternate. In the italic fonts, the ‘a’ and the ‘g’ are both single-storied. The ascenders of Author’s lowercase letters a slightly taller than the tops of the capitals. The family’s fonts include both lining and old-style figures; in both versions, the ‘3’ has a flat top. Author was designed by Satya Rajpurohit, the founder of Indian Type Foundry.

Kamber is a playful and approachable, neo-grotesque sans-serif with a handful of humanist flourishes. Subtle convex terminals and a curved structure create it’s friendly personality and bouncy rhythm. If you're looking for a warm typeface that’s affable without straying into cliché, then Kamber is your new best friend – like the labrador of typefaces.

Kamber’s balanced yet quirky nature makes for a fun and interesting display face, without compromising on legibility at smaller sizes. The lowercase letters have an elevated x-height, sitting at around 70% of the cap height – this means running copy remains clear and readable.

Available in 8 weights, each with a corresponding italic, Kamber is a widely functional typeface that can hold it’s own, regardless of the use case. It includes all the usual open type features for further adaptation and variation, including small caps, ligatures, stylistic alternates and more. The primary numerals are lining figures, but tabular figures, old style figures, and a combination of both are also included.

If you're looking for something to stand out from the sea of overly geometric faces and soulless helvetica variants, then Kamber is ready and waiting. Perfect for editorial design, branding or anywhere you use text – Kamber is the typeface that smiles.

Genia is a script typeface that carries roundhand calligraphy DNA. Instead of using pointed nib pen, Genia was created using a fine brush resulting in clean and wavy character. With the OpenType features, Genia creates the natural feel of calligraphy writing. This contextual feature makes the font ‘smart’. It knows which letters are the initial and which one is the finial. The feature can be activated in the OpenType section under the names of CALT or Contextual Alternates. Genia also gives you old style and proportional number options.

Our advice is always turn the contextual alternates, and don't use the OPTICAL kerning on Adobe softwares. The preview on this site does not support the contextual alternates.

Tejuela (Spanish for “Wood Shingle”) is a neoclassical type inspired by the wooden architecture of the ancient churches of Chiloé, an archipelago in southern Chile; which are World Heritage Sites. This typeface has rough and broken forms but with soft strokes.
The neoclassical characteristic of Tejuela is due to the architecture of these temples, which belong to this style but adapted to wood with excellent quality and ingenuity by Chilote builders using a material available in the area. Therefore, this typeface reflects the tradition of the fonts of that period, but adapted to the coarseness and warmth of the southern wood of the new world.

Tejuela is useful for extensive texts in literature, history, art and heritage; as also for short and large phrases in headlines according to the occasion.

Tejuela has eight variants in Roman a Italic versions, with small caps, Old Style and Lining numbers, ligatures, alternative glyphs, among other OpenType features; special mention to the capital letters Swash of the italic versions, which serve to generate delicate compositions. In addition, it has two stylistic sets to compose border ornaments inspired by the Chilote Architecture: colonnades and corners, only using the numbers on the keyboard; it is important that the line spacing has the same value as the font.
Its 800 to 940 glyphs are suitable for writing 219 different languages.

I appreciate the great help of Franco Jonas, Alexis Navarro, Marcela Aguilera, Pedro González & Diego Aravena in this process, among many people of the craft that they supported selflessly.

Aktifo is designed with two Flavour which carries a modern and contemporary style, based on elementary geometric shapes and constructed of monolinear lines, it was invented to be functional, leaving behind anything that can be regarded as superfluous.

Aktifo comes in 28 styles: there are two types of families Actifo A and Aktifo B from Light to Black, which both have differences in characters and spaces. Developed with powerful opentype features, equipped with extended language support: Cyrillic, Greek (BETA) and fractions, tabular figures, arrows, ligatures and more.

Alvar, a modular Humanist-flavored Sans Serif typeface, is ideal for corporate use, and brand and corporate identity design. The font performs well for mid-length text. Alvar is a neutral and clean font but it has friendly and modern design characteristics.

Alvar comes in 8 weights with matching italics and the whole family is composed of 3 subfamilies: Pro, Essential and Alt Essential, resulting in a total of 48 different styles. The Pro version includes a Latin Extended character set and OpenType features—stylistic alternates, small caps, case-sensitive forms, proportional and tabular figures, currency symbols, etc. The Essential and Alt Essential versions are well-suited for both web and corporate use.

Thank you for inspiration Alvar Aalto!

Special thanks to Alfonso García for his help with digital editing—especially for his contribution to the design of the beautiful italics.

This useful Calligraphic set has an old-world Middle Eastern feel, but with enough simplicity to use in modern designs. LHF Ascribe has the appearance found on ancient sacred writings, which makes it perfect for scroll text. Well balanced letters make for readable blocks of copy or headings. Set includes Regular & Distressed versions, and bonus alternates.