Showing posts with label editorial. Show all posts
Showing posts with label editorial. Show all posts

Download Biotech Font Family From Arendxstudio

Download Biotech Font Family From Arendxstudio
Download Biotech Font Family From Arendxstudio Download Biotech Font Family From Arendxstudio Download Biotech Font Family From Arendxstudio



Biotech is hand painted typeface with a messy, rough and strong feel, perfectly suited for any design occasions. Get inspired by its bold charm!


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Download Dres Font Family From Superior Type

Download Dres Font Family From Superior Type
Download Dres Font Family From Superior Type Download Dres Font Family From Superior Type Download Dres Font Family From Superior Type



Dres is a family of eleven uppercase headline styles based on one modular drawing. Vojtěch Říha was inspired by visuals in athletic and football arenas where numbers and names must be readable at distance. Vojtěch developed a simple concept, which allowed him to create eleven styes without being artificial or boring. Each style is made from different combinations of ribbons, stripes and corners. They have a common character set with diacritics, arrows, fractions and alternatives for letters like ‘A’, ‘M’, ‘W’, ‘X’ and ‘Y’. You can also stack them over each other for a multicolored effects. Dres is both striking and functional, perfect for standout headlines, posters and packaging.


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Download Astrup Font Family From Indian Type Foundry

Download Astrup Font Family From Indian Type Foundry
Download Astrup Font Family From Indian Type Foundry Download Astrup Font Family From Indian Type Foundry Download Astrup Font Family From Indian Type Foundry



Astrup is a rationalist sans serif typeface. Its letterforms feel like the France of the 1950s; they are very orderly, but also a bit spritely. The letters’ apertures are very small, making the counterforms in typeface feel like they are being completely enclosed within their surrounding characters. The Astrup family has six weights that range from Extralight to Bold. The lowercase letters’ ascenders rise up to the exact height of the tops of the capital letters. Each font has two versions for each numeral; the standard numerals are slightly smaller than that capital letters. The other numerals are substituted into all-caps text by the fonts’ case-sensitive OpenType feature. These alternate numerals are the same size as the capital letters. Astrup’s fonts also have a full range of superior and inferior numerals for the better setting of fractions. Many of Astrup’s capital letters seem very geometric. For example, the ‘G’ does not have a spur at its bottom-right, and the tail of the ‘Q’ is a simple, vertical stroke. The lowercase ‘a’ in the Astrup fonts is double-storey, while the ‘g’ is single-storey. The ‘f’ and ’t’ are very wide. The dots on the ‘i’ and ‘j’ – as well as the fonts’ dot-based punctuation and diacritical marks – are circular. Astrup is an excellent selection for use in branding, or in other kinds of corporate identity design. It may also be put to good use in editorial designs for publications about contemporary lifestyle issues. Astrup is the work of Frode Helland, a type designer from Norway.


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Download Cyntho Next Slab Font Family From Mint Type

Download Cyntho Next Slab Font Family From Mint Type
Download Cyntho Next Slab Font Family From Mint Type Download Cyntho Next Slab Font Family From Mint Type Download Cyntho Next Slab Font Family From Mint Type



Cyntho Next Slab is a totally reworked typeface based on our previous bestseller Cyntho Slab Pro. Cyntho Next Slab is the slab serif companion to Cyntho Next. It is a modern geometric slab serif based on a hybrid waterdrop-like shape with extensive language support including Cyrillic, rich with OpenType features, perfect for magazines, posters, advertising, corporate identity, and much more.


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Download Cyntho Next Font Family From Mint Type

Download Cyntho Next Font Family From Mint Type
Download Cyntho Next Font Family From Mint Type Download Cyntho Next Font Family From Mint Type Download Cyntho Next Font Family From Mint Type



Cyntho Next is a totally reworked typeface based on our previous bestseller Cyntho Pro. It also has a slab-serif counterpart - Cyntho Next Slab. Cyntho Next is a modern geometric sans based on a hybrid waterdrop-like shape with eight weights varying from Thin to Black and featuring Cyrillic.


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Download Poligon Font Family From Letter Omega Typefoundry

Download Poligon Font Family From Letter Omega Typefoundry
Download Poligon Font Family From Letter Omega Typefoundry Download Poligon Font Family From Letter Omega Typefoundry Download Poligon Font Family From Letter Omega Typefoundry



Poligon based on a geometric sans serif inspired form Avant Garde and Futura where shapes are constructed from circles and straight lines. The family features eight high-contrast weights, ranging from thin to Black each weight with matching italic cuts, Every character has been crafted to give it a distinctive and individual feel.

Poligon Link developed from standard form, where each bottom and top line will connect to each other, In addition the contextual alternates be able to use the open and close space. 

This font is very playful to combined with various kinds of media. works equally well both in large small text or in headlines.


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Download Iconic Font Family From Zetafonts

Download Iconic Font Family From Zetafonts
Download Iconic Font Family From Zetafonts Download Iconic Font Family From Zetafonts Download Iconic Font Family From Zetafonts



Iconic is a rounded condensed sans serif typeface designed by Andrea Tartarelli together with Cosimo Lorenzo Pancini and Francesco Canovaro at Zetafonts. It’s a multi-purpose workhorse family designed for clear and effective editorial, interface and information design with minimum usage of space. The soft, rounded shapes are all derived from basic circular geometry, but slight humanist touches have been added to make the family look more informal and readable. With his slim, minimal aesthetic, Iconic embodies the spirit of contemporary tech, and the desire for an effortless, natural digital experience. The extensive range of weights allows both for text and display usage. In body copy Iconic excels in clarity from light to bold with a choice of medium and regular for text appearance fine tuning; in display use it allows endless design expressions with a range that goes from the hairline thin weight to the super-fat heavy, all with matching italics. To complement the basic, regular shapes of the Iconic family, a Stencil subfamily has been designed with a more aggressive technical look. Perfect for wayfinding, branding and interaction design, the six Stencil weights can also be used next to the base family for a rich textural approach to type setting. Both Iconic and Iconic Stencil feature an extended character set of over 1200 glyphs that covers over 220 languages using the Latin alphabet, as well as Greek and Russian Cyrillic. Open type features include small caps, positional figures, alternate letter forms, stylistic sets, arrows and extra punctuation and discretionary ligatures. A six-weight icon set, Iconic Pictograms, has been also developed in matching weights to the base family to allow maximum control over the design of digital interfaces using Iconic.



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Download Harri™ Font Family From Type-Ø-Tones

Download Harri™ Font Family From Type-Ø-Tones
Download Harri™ Font Family From Type-Ø-Tones Download Harri™ Font Family From Type-Ø-Tones Download Harri™ Font Family From Type-Ø-Tones



Harri –“stone” in Basque language– is a display font based on the peculiar letter forms used in signs and fascias all over the Basque Country. This idiosyncratic lettering style, very often used as an identity signifier, evolved from ancient inscriptions carved on gravestones which can still be found in the French part of the Basque Country.



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Download Polygon A Font Family From Wiescher Design

Download Polygon A Font Family From Wiescher Design
Download Polygon A Font Family From Wiescher Design Download Polygon A Font Family From Wiescher Design Download Polygon A Font Family From Wiescher Design



Polygon are unique fonts with a modern character based on the rational thinking of the enlightenment with its classic forms and timeless elegance. This first installment will be followed by more extreme and by less extreme designs on the same design basics. You get many embellished characters in each font. The font has over 1100 glyphs, but you need to have Open-Type-Savy software to use the font to its full extend. These fonts have been designed to work great as bodycopy, the heavier weights are meant to be used for smaller sized typesetting and the lighter ones should be used when the sizes get bigger. Enjoy!



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Download Polygon I Font Family From Wiescher Design

Download Polygon I Font Family From Wiescher Design
Download Polygon I Font Family From Wiescher Design Download Polygon I Font Family From Wiescher Design Download Polygon I Font Family From Wiescher Design



Polygon are unique fonts with a modern character based on the rational thinking of the enlightenment with its classic forms and timeless elegance. This first installment will be followed by more extreme and by less extreme designs on the same design basics. You get many embellished characters in each font. The font has over 1100 glyphs, but you need to have Open-Type-Savy software to use the font to its full extend. These fonts have been designed to work great as bodycopy, the heavier weights are meant to be used for smaller sized typesetting and the lighter ones should be used when the sizes get bigger. Enjoy!



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Download Polygon X Font Family From Wiescher Design

Download Polygon X Font Family From Wiescher Design
Download Polygon X Font Family From Wiescher Design Download Polygon X Font Family From Wiescher Design Download Polygon X Font Family From Wiescher Design



Polygon are unique fonts with a modern character based on the rational thinking of the enlightenment with its classic forms and timeless elegance. This first installment will be followed by more extreme and by less extreme designs on the same design basics. You get many embellished characters in each font. The font has over 1100 glyphs, but you need to have Open-Type-Savy software to use the font to its full extend. These fonts have been designed to work great as bodycopy, the heavier weights are meant to be used for smaller sized typesetting and the lighter ones should be used when the sizes get bigger. Enjoy!



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Download DINosaur™ Font Family From Type-Ø-Tones

Download DINosaur™ Font Family From Type-Ø-Tones
Download DINosaur™ Font Family From Type-Ø-Tones Download DINosaur™ Font Family From Type-Ø-Tones Download DINosaur™ Font Family From Type-Ø-Tones



DINosaur is the typographical mise en scène of a calligraphic standard for technical writing, found in a 1967 manual. Although its base is a regular grid and its main reference is the DIN norm, it is full of a multitude of small original features. The microtypographic details refer to the tools originally used for its reproduction.



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Download Kiperman Font Family From Harbor Type

Download Kiperman Font Family From Harbor Type
Download Kiperman Font Family From Harbor Type Download Kiperman Font Family From Harbor Type Download Kiperman Font Family From Harbor Type



Kiperman is a text typeface designed in honor of Henrique Leão Kiperman, founder of the publishing house Artmed, now Grupo A.
Its forms are simple and straightforward, with no unnecessary embellishments that could disturb the reading. The fonts are slightly narrower than normal, which yields higher efficiency without compromising reading comfort. Besides that, its italics are not just a slanted version of the romans, but rather a separate drawing. With a slope of 8°, its calligraphic structure provides the right amount of emphasis when necessary. The Kiperman typeface works best when setting books, magazines, ebooks and websites. It will also work very well in branding and packaging projects where a sober typeface is needed.
The inspiration for the design came from the personality of the honoree. Just as Henrique always wanted to stay away from spotlights, the Kiperman typeface was designed so that it would not call attention to itself or impose any obstacles in the understanding of the text. In this way, the fonts revere Henrique’s legacy by respecting and honoring the published content.
Henrique Leão Kiperman began his career in 1958, selling medical books in travels through the interior of the Brazilian states of Paraná and Santa Catarina. In 1973, he opened a bookstore in downtown Porto Alegre, the Artes Médicas Sul, and a few years later edited his first book. Since then, his company has grown to become one of the most important publishers in Brazil in the area of scientific, technical and professional books, with more than 2400 active titles distributed among the McGraw Hill, Bookman, Artmed, Penso and Artes Médicas imprints. Henrique passed away in 2017 at the age of 79. The Kiperman type family has been commissioned by Grupo A and is available for licensing. This was the way found for the fonts to be read by more people, spreading some of his spirit around the world.



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