Anna Pizzey

The inspiration source for MFC Stencil Borders Six are stencil patterns from the circa early 1900’s Blue Label Brand Stencil booklet. The original designs were produced as single color stencils designs, mostly as trims (without corners to complete them as borders). We've not only added corners to make them fully functional borders, but we've also created two-color layerable chromatic styles, for more fun and diversity. For the first time, this decorative border collection is available digitally.

You can start with a new document or work on a new layer within an existing document. Select MFC Stencil Borders Six from the font menu. (Some users may have font previewing enabled in the font menu which will cause the font name to appear as border elements, disable this option in order to choose the name)

Make certain that the point size of the font is the same as the leading being applied to the font so the borders will meet up properly. While we’ve adjusted this within the font, your program may override these settings. For instance a 12 point font should have 12 points of leading. A PDF guidebook for MFC Stencil Borders Six is available via the Gallery tab.

Wandals - a professional tag typeface.
Wandals is a high-quality graffiti typeface, drawn and created by Måns Grebäck during 2018.
It has multiple alternate alphabets, to be used to create a feeling of real handwriting.
Activate contextual alternates and every letter will look different, with a final extended swash.

Wandals exists in three weights: Fat Wandals, Slim Wandals and Light Wandals

The family comes with a bonus Element font, containing decorative symbols to be used with the lettering.

The extensive set of characters covers all European Latin based languages.

Functions: Write for example --> or Writing multiple asteriskes *** or underlines _ _ _ also creates decorative elements.

Sacred Bridge is an old fashioned display typeface , inspired by vintage signage combined with ornament that were inspired by certain Indonesian tribe ornament feels, because our little type foundry is focused on vintage display fonts. Till now at least. Sacred Bridges came up with some layered system,regular rough and slant version from each style. And don't forget about the Extras ornament we offer. You'll got separate ornament and object that you could mix and match. We also give you the most of our ornament scene from our display.

My font takes inspiration from repeating firearms of the mid to late 18th century, their sleek and elegant appearance that contrasts with their rigidity and simplicity is what I attempted to implement within the font itself.

I imagined the font being used for logos, titles, and other forms of large text as the font looks best when it’s finer details can be made out.

Xavier Dupre’s Molto font family is a tonal master, creating tenderness in a slab serif and tempering toughness with flourishes. Slab serifs created their original niche by their ability to grab attention and overwhelm, which caused them to be seen as strong, dominant, and desired fonts, especially in advertising. Slab serifs are the result of placing defined edges on something meant to take up an inordinate amount of space, rather than meant to be graceful. Molto updates this concept to allow a greater, and gentler, range in the lighter weights.

Molto’s nine weights are defined by their intended use. The two extreme weights (Hair and Fat) act as display partners for magazines, titles, and posters. The Hair weight is runway ready with its sturdy serifs, breathy internal space, and stable lettershapes that were designed both to perform and impress. Molto’s Fat weight packs maximum punch in a believable way. Its wide and deliberate curves contrast against thin connections and landing strip stems. Molto can be put to perfect use in a fashion magazine using swashy Hair headlines set against its darkest weight.

Molto’s seven intermediate weights, with their classic and legible shapes, are meant for texts of all sizes. The notches on diagonals, distinct numerals, and acute terminals grant benefits from caption sizes up to headings. Molto’s refined light weights and punchy heavy weights set the stage for a swashy surprise — alternate capital letters act as refined garments laid atop its concrete skeleton.

The Molto font family rejects saving space in favour of intensifying shapes, placing maximum weight on the edges for better legibility and impact. Latin-based digital and printed designs will benefit from Molto’s design voice and breadth. This means UI, video, and online text, and print materials like dictionaries, packaging, advertising, and branding can all put Molto’s robust forms to multipurpose use. Molto successfully creates balance in a slab serif design: an opinionated and striking type family, stalwart in captions and exuberant in display, thanks to swashes which add some originality to the slab category.

Cowboya is a typography with concave Tuscan serif very contrasted and modernist inspiration with letters in small caps, includes 4 versions of the font that can be used by superimposed layers which results in multicolored typographic titles.

For the design of this typeface I was inspired by the credit titles used in the black film directed by Frizt Lang in 1950 called “The House of the River”, to the drawing of the original forms of the letters i added decorative elements to give the fonts a festive character, traditionally this type of decorative fonts that emerged in Italy in the nineteenth century were used in large headlines and posters that were closely related to circus shows, carnival or environments of the Far West American. I have also rounded the sharper joints of the antlers and counterforms to create a contrast with the sharp Tuscan serifs which brings a modern background of retro inspiration and soft shapes.

A Roman Stylized Font of War.

Navarone is a display sans typestyle that was inspired by the movie titling sequence from the 1962 movie “The Guns of Navarone”. It’s an all capitals typeface that has alternate caps in the lowercase slots to convey all of the roman stylized lettering of the original inspiration.

See the 5th graphic for a comprehensive character map preview.

Navarone comes with features for customisation options:
- An all capitals typeface with alternate capitals in the lowercase slots
- A Basic Ligatures feature that swaps out FI and FL ligatures.

Approx. 386 Character Glyph Set: Navarone comes with a glyphset that includes standard & punctuation, international language support, and basic ligatures.

This font family is based on the alphabet designed by Frank Lloyd Wright for the “Eaglerock” project in 1922. The Eaglefeather Pro family features expanded OpenType font options. It contains 15 pro styles and 20 basic styles in 5 weights- Hairline, Light, Regular, Bold, and Black. In addition to small caps, italics, and a unique “informal” version (an upright italic.) There is coverage for Cyrllic, Greek and European Latin languages.

Opentype features include automatic fractions, optimized kerning, and localized language features. Alternate forms of capitals A,H,N, & S are also included for added flexibility. The full range of weights and styles allows for expanded typographic possibilities in a wide variety of uses.

Mares is a typeface inspired by the American psychedelic movement from the mid 1960’s where capitals and lowercase used to be mixed and distorted to become part of the image.
Mares is a bold and modern psychedelic font for use on special occasions.
The bigger the better.

Leira hand drawn typeface is drawn by hand with a thick brush, resulting in really bold characters with some shakiness in line to get that personal touch feel. This typeface will suit for headlines, logo, titles, identities, packaging, posters, cards, quotes, etc. With the uniqueness of the shapes, Leira can definitely attract attention of anyone and be an eye catching font. The bold letters and playfulness of this font makes it stand out from the crowd.

Sandy is a handwritten sans serif font, based on shapes made with ink brush.
Sandy is a lively and informal typeface with good readability.
Most of European languages are supported.

Spencer is a calligraphic semi-serif type family that has been carefully designed to provide easily distinguishable letterforms that are practical in use, as well as aesthetically appealing. It’s natural and organic forms comes from a deep consideration of the efficiency of the visible word and provides the typeface with a distinct and unique voice.



Named after Herbert Spencer, an educator and researcher of legibility at the Royal College of Art in the sixties and seventies, and influenced by other early typographers and legibility researchers, such as Walter Tracy and John Harris. Spencer was designed as part of a legibility study by Sofie Beier and Kevin Larson.

Hi. Presenting a simple and elegant font named “Goodwine” includes lots of characters with many languages support (West European, Cyrillic, etc...).