Anna Pizzey

LHF Mastercraft is one of the most versatile fonts you'll ever use. From its fanciful decorative caps to the easy to read lowercase letters, we're certain you'll find many uses for this unusual set. This style came directly from Chuck’s own pencil sketches and hearken back to a day when the masterfully executed classic roman letter was the mark of every skilled veteran. Mastercraft 2 contains decorative caps that are complimentary and not overwhelming. Use Mastercraft 1 Rough when you require a more weathered appearance. Experiment with stacking the two different Shadow fonts. Each font contains several alternates and ligatures.

Introducing Porcelain, a hand-lettered condensed sans serif font with subtle dip-pen texture and some fun OpenType features. Porcelain is perfect for invitations, branding, and editorial design and can be dressed up or down depending on your needs.

Porcelain comes with more than 430 glyphs and includes OpenType features like stylistic sets, multilingual support (including multiple currency symbols), and discretionary ligatures.

The OpenType features can be very easily accessed by using OpenType-savvy programs such as Adobe Illustrator and Adobe InDesign. (To access these awesome features in Microsoft Word, you'll need to get comfortable with the advanced tab of Word’s font menu. If you need help with this, ask me!)

Perfect for branding, weddings, presentations, posters, social media, product design, advertising.

HM Lemonade Font includes over 50 ligatures to make everything look totally hand-done.

WHAT YOU GET :
HM Lemonade Script
OTF + TTF files
Upper + Lowercase Letters w/ alternates
Numbers + Punctuation
Languages Support
50+ ligatures

Extraordinary impact and visual conspicuousness.

Dr Slab is a super 3D serif family for posters, logos and all display.
The basic idea is not a brand new. Stacking type system have been used since before wood type age.
As you imagined, colored wood type(woodcut), many other engravings and contemporary printer machine print many colors separately with different printing plates for each colors.

Dr Slab uses the same system for 3d effect.
Please use Photoshop or Illustrator, or your favorite graphic design apps that can handle layers.
Layers are the printing plates of wood type. You should be able to change text color for each layers.

Dr Slab “Base” style is the core of this font family.
You can add effects by using the other styles(Rim, Shadow, Ext).

Instruction
1. Type your text as you like.
2. Set font-name “Dr Slab” and font-style “Base”
3. Set color for “Base”.
4. Duplicate the layer which includes “Base” text.
5. Set font-style and color for new layers.
6. Stacked layers in different font-style and color make the text in 3D.
For further detail, https://www.dropbox.com/s/9p9083zv2855bcq/DrSlab.pdf

Dr Slab “Base” style can be used solely.
Rounded slabs add soft, cute and casual impressions to your design.

Spec:
OpenType Format (.otf) with over 500 glyphs!
Basic Latin ✓
Western Europe ✓
Central Europe ✓
South Eastern Europe ✓
Mac Roman ✓
Windows 1252 ✓
Adobe Latin 1 ✓
Adobe Latin 2 ✓
Adobe Latin 3 ✓
Almost all Latins are covered.

Max Salzmann’s blackletter font released by Schelter & Giesecke in 1912 revived and spiced up with some beautiful filling and framing ornaments.

Oddee typeface is based on the dissimilarities in personal fashions and the contradictions sparked between two schoolmates, Adolf Loos and Josef Hoffmann, the first of whom is known for his belief in finding no place for the concept of ornamentation in architecture and functional design, while the latter proposes the ornamentation could find a place within design through not being a direct force but being a contributing part to a collective aesthetical value in everyday objects.
The design process followed traces of both approaches and opinions, and tried to find their formal counterparts in letter architecture.

Wild Bloom is a whimsical, joy-provoking, soul-comforting COLOR FONT suitable for any project that requires putting smiles on faces. It is perfect for your social media posts, logos, stationery, children’s books, packaging design, typographic posters ... the list goes on. You can expand the font’s existing color palette and pick your own; it also comes with alternate characters to improve your experience. A specially designed black and white version of the font is included with full OpenType support covering Latin languages.

Wild Bloom is a collaborative typeface based on the lettering of Juliana Pedemonte and produced by Ale Paul.

Package:

Wild Bloom comes in file with a pre-defined color palette. You can always change the colors converting the text to outlines.

Technical info to use:

The package contains a normal TTF/OTF font in Black and White and a colorfont in SVG-TTF format. To be able to use the color file you need to have installed Adobe Photoshop CC2017 or Adobe Illustrator CC2018. Not all the browsers support color fonts so please be sure to use them as graphics.

Sarkastic is a font display is made by hand, inspired by classic posters. Sarkastic comes with uppercase, lowercase, numerals, punctuations and so many variations on each characters include opentype alternates, common ligatures and also additional swash to let you customise your designs. Perfect to use for Logotype, Letterhead, Poster, Apparel Design, Label and etc.

NO! I don’t have a bearskin rug, nor a fur collar on my jacket. I believe fur should only be worn by its first owner.
I have no idea why I called this font Bearskin: maybe I was influenced by one of the Viking novels I am reading - they’re full of Berserkers - but that name was already taken.
Anyhoo, Bearskin font is a nice handmade all caps font. A little rough here and there, but with a lot of character as well. Bearskin comes with swashes, so you can have a ball!

Pesto Fresco is a new handwritten lettering system, a font family built by 28 fonts. Based on Screenprint technique, the aim is to get a textured result we can see in many old poster specially designed to be produced with that technology, bringing analog to digital. Overlapping Pesto Fresco Regular with any of the other decorative fonts you will get different graphic effects, so just choose the one fits better with your layout. This font can be used for different purposes from packaging design to web design.

The Pesto Fresco posters are inspired by the typical products from the Italian Riviera in Liguria Region, homeland of Pesto, Focaccia and many other delicious delicatessen.

Bourget is a Display-Sans, which is inspired by the Art Déco Typo­graphy of the 1920´s, 1930´s years. It has a very characteristic and unique style by its thin line through every letter. The upright and italic versions have each 750+ Glyphs with Open Type Features, playful Ligatures and a lot of Alternates as Stylistic Sets. So there is a lot to discover and to play around with. Bourget is good to use for Branding, Signage, Packaging, Invitations, Advertising, Headlines, Displays, Magazines, Book titles or everything you want to use it for. Bourget has an extended character set to support 219 latin based languages in 212 countries and Pinyin.

Croog Pro is an upgraded version of Croog fonts (2009). As its predecessor, the new release is a rounded geometric monoline typeface, but built now in four weights with true italics. One more style has been added - “Black”, for display use. Squarish in proportions, monoline letterforms gain more readability by having short rounded serifs and terminals. The typeface is ideal for use in display sizes, though is quite legible in text.
Croog Pro is released as OpenType fonts with extended glyph amounts, which enabled support of more Latin languages as well as Cyrillic languages, and includes some OpenType features.

This is a new font that I describe as a casual faux antique letterform. Great for many decorative and fun projects.

Ropest is a decorative script typeface, created by Måns Grebäck during 2018.
It keeps the same quality as any cursive font, while also being a brave display typeface.

The family comes in two styles; one primary that has the real rope appearance; one Black or solid, to be used by itself or as a background to the rope font.

It contains ligatures, and has support for all Latin based European languages.

Aure Nox inspires the chill whimsy of a haunted forest. The roughhewn forms of this decorative, sans-serif font engage the reader with a subtext of rakish charm. Surprisingly legible, Nox adds a bit of rebelious sass to text and titles, and a daring stance to astrological expressions and chartwheels.

Nox is an original design developed by Aurora Isaac. After more than a decade in development, 2018 marks the first release of the CJ and KB glyphsets in regular, italic, bold, and bold-italic.

The CJ glyphset is a full text font supporting a variety of European languages. A matching set of small-caps complements the extended lowercase and uppercase glyphsets. Supporting glyphs include standard ligatures, four variations of the ampersand, and check-mark and happy-face with their companions x-mark and grumpy-face.

Numbers are available in lining, oldstyle, and small versions with numerators and denominators for forming fractions. Companion glyphs include Roman numerals, specialized glyphs for indicating ordinals, and a variety of mathematical symbols and operators.

The CJ glyphset also includes an extended set of glyphs for typesetting Western Astrology. These glyphs are also available separately in the KB glyphset: a symbol font re-coded to allow easy keyboard access for the most commonly used glyphs.

Though Nox stands well on its own as a text font, the more traditional sans-serif forms of Aure Jane pair well as an innocuous foil to Nox’s brazen presence.

Give Aure Nox a trial run! You may discover a permanent place for this font family in your typographic palette.

>> AureFontDesign.com

Aure Teddy emanates the trusting tenderness of a favorite teddy bear. The hand-penned look of these forms engages the reader with a subtext of comfort. Teddy is delightfully legible as a text font and works well where a more organic look is wanted. It brings an unassuming charm to text and titles and a welcome empathy to astrological expressions and chartwheels. Its engaging charcter serves well in labeling diagrams and personalizing nametags.

Teddy is an original design developed by Aurora Isaac. After more than a decade in development, 2018 marks the first release of the CJ and KB glyphsets in regular, italic, bold, and bold-italic.

The CJ glyphset is a full text font supporting a variety of European languages. A matching set of small-caps complements the extended lowercase and uppercase glyphsets. Supporting glyphs include standard ligatures, four variations of the ampersand, and check-mark and happy-face with their companions x-mark and grumpy-face.

Numbers are available in lining, oldstyle, and small versions, with numerators and denominators for forming fractions. Companion glyphs include Roman numerals, specialized glyphs for indicating ordinals, and a variety of mathematical symbols and operators.

The CJ glyphset also includes an extended set of glyphs for typesetting Western Astrology. These glyphs are also available separately in the KB glyphset: a symbol font re-coded to allow easy keyboard access for the most commonly used glyphs.

Aure Teddy fills a unique niche, being a modestly decorative font as well as a competant text font. Like Aure Jane, Aure Teddy serves well paired with the decorative touches of Aure Brash and Aure Sable.

Give Aure Teddy a trial run! You may discover a permanent place for this font family in your typographic palette.

>> AureFontDesign.com