Anna Pizzey

Draft from Yellow Design Studio is a 144-font superfamily that’s friendly and modern with an energetic, enterprising nature. It features nine weights (Hairline to Black) and eight widths (A to H) for ultimate flexibility and fine-grain control. With almost 600 glyphs, Draft offers a full complement of professional typographic features and extensive language support.

Try the full versions of Draft B Regular and Italic for free!

Draft opentype features include:
Alternate a - accessed with Stylistic Alternates or Stylistic Set 1
Alternate g - accessed with Swash or Stylistic Set 2
Alternate t - accessed with Titling Alternates or Stylistic Set 3
Alternate Q - accessed with Ornaments or Stylistic Set 4
Alternate Ampersand 1 - accessed with Stylistic Set 5
Alternate Ampersand 2 - accessed with Stylistic Set 6
Underlined Ordmasculine, Ordfeminine - accessed with Stylistic Set 7
Alternate underlined Ordfeminine - accessed with Stylistic Set 8
Subtle Ligatures (for improved text flow)
Oldstyle Numerals
Tabular Numerals
Case-Sensitive Forms
Numerator, Denominator, Superscript, Subscript
Automatic Fractions

Body is a type family designed for Zetafonts by Cosimo Lorenzo Pancini with Andrea Tartarelli. Conceived as a contemporary alternative to modernist superfamilies like Univers or Helvetica, Body tries to maximize text readability while providing a wide range of options for the designer. It comes in two variants (Body Text and Body Grotesque), each in four widths and four weights: regular and bold for basic typesetting, light and extrabold for display use.

Body Grotesque applies to the sans serif modernist skeleton little imperfections and quirks inspired by our research in early 20th century type specimens. Curves are slightly more calligraphic and a light inverse contrast is applied to bold weights, giving the typeface a slight vintage appearance in display use.

Body Text, on the contrary, challenges the modernist aesthetics maximizing horizontal lines and using open terminals for letters like “s” and “a” that appear normally dark in modernist grotesques.

For both variants, the normal width family is slightly condensed in an effort to maximize space usage; the Slim width is provided for extremely dense texts or side notes while the Fit width is optimized for display usage as in logos, headings or titles. The Large width manages to look elegant in its light weight while becoming a valid heading or subtitle font in its extrabold weights.

All the 64 fonts in the Body superfamily include a complete latin extended character set with small caps for over 70 languages, Russian cyrillic, open type positional numbers, stylist sets and alternate forms.

The Dear Sans Collection is comprised of four widths ranging from Condensed, Regular, Expanded, and Wide; each of which are comprised of a three font family of weights: Book, Regular & Bold. Cleanly readable, with just a slight hint of silliness, the Dear Sans Collection brings adds the perfect level of lightheartedness to your designs.

The Dear Sans Collection comes with:
- Approx. 367 Character Glyph Set per font - including standard & punctuation, international language support, and basic “fi fl” ligatures per font.
- 3 Weights per family including: Book, Regular, and Bold.
- Loads of Personality for your designs.

First and foremost, Reserve is a companion typeface developed to complement the Scotch Suite of typefaces.

With a focus on producing simpler forms with less contrast, Reserve evolved into a fantastic serif typeface for long-form text settings, exceptional clarity at low resolutions—for print and screen. Friendly and functional, Reserve is replete with features intended to make you feel comfortable going back to again and again, and with a complete set of condensed fonts, this typeface becomes more of a surprise.

Small Caps, 4 sets of numerals, Case-Sensitive forms, Stylistic, Swash and Titling Alternates, Fractions, language support, and more… it’s all there, ready for you to use. The term ‘Reserve’ as it applies to the words of wine and spirits is typically used to alert a consumer of a higher quality, exceptional vintage, or special production of wine or whisky… it’s no different for this typeface’s name. Cheers.

Lehmann Egyptian is a font of three styles, based on the pre-revolutionary hand set fonts by Berthold and Lehmann type foundries in St. Petersburg. Designed mainly for display typography, the font works well in small texts too. There’s also a quite useful bonus — a stylistic set of historical forms. Lehmann Egyptian was designed by Albert Kapitonov in cooperation with Dmitry Kirsanov and released by ParaType in 2018.