Anna Pizzey

Modal Stencil is the counterpart of “Modal”. It also comes with 15 fonts in 5 weights and 3 styles, each font covering around 800 glyphs. You can switch between Stencil and Normal without any changes in spacing or proportion. As a stencil type family, it offers an additional tool to create distinct designs in branding, editorial or web.

Modal is a sans serif type family intended for corporate, editorial and web design. It comes with 15 fonts in 5 weights and 3 styles: normal (upright), italic (right) and back italic (left). Each weight comes with around 800 glyphs and supports a large variety of and features such as ligatures, small caps, figure sets, case sensitive glyphs and so on. With its two italics, Modal offers new possibilities for designers and creates an additional tool for distinct typography.

Rutherford is clear, robust and authoritative, and reads well at small text sizes while also having the required heft for larger headlines. A wide range of weights makes it a versatile choice for magazines, branding, brochures and advertising.

A slightly condensed obround serif with squared stroke terminals. The t, j and f curve around to harmonize with the terminals on the a and g, as does the tail of the Q. The italic incorporates cursive forms on the ends of the lower right and upper left strokes, and uses a single-story a.

Includes full European Latin support and alternate designs for the Q and g in all weights.

Say hi to new member of Typoforge zoo! Gambero family consists of 18 styles (including italics) with a subtle rounded finished details. Gambero is a stable, slab cousin of Kapra, Kapra Neue adn Kapra Neue Pro. It is ideally suited for advertising, editorial and publishing, offering new design potential.

Font Gambero is inspired by a “You And Me Monthly” published by National Magazines Publisher RSW “Prasa” that appeared from May 1960 till December 1973 in Poland.

Fact is a workhorse open sans serif type system. It is inspired by the great Frutiger typeface. While the Regular style is slightly modernized but still quite close to Frutiger, changing the weight or width makes differences of the design more pronounced. The style range of Fact is wider than of any cognate type family, including weights from Thin to Black and widths from Compressed to Expanded. Fact type system contains 48 upright styles with variations in width and weight and 8 italics of normal width. The font was designed by Alexandra Korolkova and Manvel Shmavonyan and released by Paratype in 2018.

Yotin is a contemporary half-serif inspired by summer days vibe. Vibrant, round with a little bit of contrast makes the design of Yotin unique, friendly and flexible at the same time, suitable for text, headlines, display and other design needs such as layouts, branding and anything in between. Yotin is here to serve your creativities.

Yotin comes in 9 weights from Thin to Black, each equipped with Italic plus
many OpenType features; tabular numerals, inferiors & superiors, numerators & denominators, fractions, ligatures etc.

When it comes to design versatility in typography, variable fonts are hard to beat. Just imagine being able to tweak a font’s height to fill a stretch of vertical space, or being able to lean the letters just so in order to create the perfect slant for your specific project.

As an extension to OpenType, variable fonts are sort of like having a bottomless grab-bag of fonts in a single font file. The designer is able to adjust attributes like width or height with the simple pull of a slider. This type of responsive design is breaking new ground every day, and we're excited to release our own variable font, YWFT Fluctuant.

YWFT Fluctuant is a contemporary sans serif type design with a subtle retro flair. The beauty of this type design is that you can tweak it to your heart’s content – with total ease and absolute control.

YWFT Fluctuant is ideal for logos, branding and identity projects, displays, signage, flyers, headlines, labels, web copy, product packaging, posters, merchandise, menus, and more.