Anna Pizzey

Operetta is a neo-didone display font family inspired on Bodoni, Didot (early 18th century) and Walbaum (19th century). Despite of this heritage, Operetta’s design meets contemporary taste and typesetting needs.

Five optical sizes give you control over the font’s readability on different sizes. Eight weights from Extra Light to Extra Bold let you set your tone: from delicate to exuberant.

Operetta’s generous character set and opentype features let you meet the most demanding layout needs. And don’t forget swashes, arrows and other extra glyphs (911 per style)!

The number displayed in the font family name represents the minimal size (in points) the style should be used in print design. In web design you should multiply the minimum value by 3/2 for a retina screen; multiply by 2 for a 72 dpi screen. Of course its rendering depends on the printing support, screen resolution, hinting support, etc. Therefore, take it as a suggestion or a starting point; make your own trials.

Rough monospace type with cowboy boots: Here is Justice! Initially designed in 2004, Justice has been totally rethought in 2017 for the visual identity of Ceinturama. For this new version the fixed-width principle has been used to turn this typeface into a kind of construction game. A series of decorative accessories (systems of borders, arrows and ornaments) have been developed in order to make typesetting more playful.
Designed from the outset to be as comfortable on screen, on paper as on wall, Justice has aesthetic qualities suitable for handmade signage. It’s your turn to play!

Please find the PDF type specimen/manual over there.

Designed by Alberto Romanos, Bw Seido Round is a semi condensed font family with rounded corners striking a gentle balance between minimal strict geometry and typographic refinement, conveying a subtle industrial yet friendly feel. It consist of 12 styles (6 uprights + 6 matching obliques) supporting all European Latin languages.

The design of Bw Seido Round started heavily Influenced by the systematic principles behind the original German DIN 1451, with its clean, minimal shapes and rigid geometric feel: Both the lowercase and the uppercase have their own horizontal waistline running through all the characters of the font, reinforcing the engineered feel and focusing the rhythm on its vertical pace.

Beyond the very obvious rounded corners and terminals, which are instantly softening the feel and positioning this font on the friendly side, Bw Seido Round presents a series of subtle typographic adjustments elevating the design while staying invisible: The monoline look is achieved seamlessly thanks to the subtle modulation and the corrections at the joins; the tall x-height married with the open counters and the unambiguous shapes make it a very legible font,... All these ingredients play a balancing game with the crude geometry by adding the right doses of warmth into the industrial feel.

The resulting combination is a very functional font family suited for carrying the weight of a contemporary brand’s visual identity. Its tabular figures feature includes currency symbols and punctuation, making it a great candidate for information design and annual reports. Bw Seido Round is equally comfortable in print as it is in digital environments, thanks to the additional symbols and arrows included matching each weight. Other OpenType features included on the Bw Seido Round font family are stylistic alternates, slashed zero, fractions, case sensitive and localized forms.

Tans originated in the idea of creating a clear sans-serif with a friendly flair. The design then drove into a more heavy and edgy direction for the bolder weights.

Tans can be used for medium-sized body copy or bold captions — it’s 7 weights allow for great contrast and clear hierarchies. There are also two stylistic sets with alternate characters and easily accessible arrows and special glyphs.

Tone was inspired by classic geometric sans-serif fonts but has a distinct modern day spirit. Contains 16 styles from ultralight to black: 8 regulars and 8 italics. Have a multilingual support and big amount of OpenType features.

This typeface is comfortable to read in small sizes. Great for big pieces of text or as the main typeface in website design. Logotypes and branding, packaging, posters, editorial design, music covers, navigation systems, videos — these are just a few areas in which Tone can help you.

Opentype features: old-style figures, tabular and tabular old-style, tabular currency symbols, ligatures, stylistic alternates, fractions and automatic frations, circled numbers, arrows and stylistic alternates for arrows, superscript and subscript, case sensitive forms.

Multilingual support: Latin, latin extended, cyrillic and cyrillic extended (more than 70+ languages).

Config Rounded is a condensed geometric sans serif with rounded corners. A sibling to Config, this typeface was influenced by geometric sans serifs with circular forms on the tops and bottoms of characters, but the proportions have been condensed by incorporating straight sides for a design that is sturdy and space-saving. It’s efficient yet friendly. Use Config Rounded for a subtle softness that still looks modern and strong. Or use Config for a sharper appearance.

The neutral design of this typeface with subtle details makes it functional for type setting in small and large sizes. With 10 weights (plus italics), there are multiple options to fit the need—black and thin for extreme uses and intermediates for more common needs. It’s clean nature allows it to be readable at small sizes, but the touch of character—as seen in the notched joints (like the n and u), rounded details (like the l and t), and horizontal/vertical terminals (like the a and e)—make it interesting at large, display sizes.

Config Rounded includes lots of OpenType features, as well as symbols to enhance your typography:

• Multiple stylistic alternates (8 stylistic sets)
• Standard and discretionary ligatures
• Case-sensitive punctuation for All Caps
• Tabular figures
• Fractions, numerators, denominators
• Superscript, subscript
• Slashed zero
• Arrows, circled numbers, geometric shapes

With over 600 glyphs, this font has extensive Latin language support (100+ Latin languages) for Western, Central, and South Eastern European.