Anna Pizzey

Multi is an extensive sans serif typeface family that consists of two subfamilies: Multi Text that comprises three weights (roman & italic) and Multi Display (seven weights, roman & italic).
Vitality bursts forth from Multi. It has a distinctive ‘phrasing’ (in the musical sense), neither humanist nor glyphic, somewhere in between, exploring uncharted territory. Its design is pragmatic, yet not rigid, slightly tinged with tiny incised touches. This is clearly noticeable in Multi Display: the roman lowercase’s asymmetric stems are very softly tapered, with bevelled, sharp upstrokes. Furthermore, all weights consistently share these idiosyncrasies from Thin to Poster. With its lower contrast, wider proportions, shorter ascenders and descenders, Multi Text was purposely adjusted to meet all the requirements of a legible typeface for newspapers in paper and screen, as they were manually hinted. It also has a few new features, such as the outstrokes of the roman ‘l’ and the italic ‘a’, which bring a subtle calligraphic feel to the text flow.

Inspired by the “Lollapalooza” logo.

The intention was to design a cheerful, entertaining typography. Lolapeluza works perfectly for designs for children and young people. 17 variants are also included from Thin to the Black, Symbols and alternatives!

Just add water and mix! Sometimes it is so easy to make a cake! In this case, it is also very easy to make something really good looking using this font. Actually, all you need is to add one of the flavours: Regular, Italic, Black or Black Italic, and your design suddenly looks super neat!
Ingredients: 4 fonts, multilingual support, fi and fl ligatures as well as ligatures for most common double-letter substitution. Shake well and enjoy!

Eastville Square is a handwritten script collection by Cindy Kinash. This collection includes two styles, two weights (regular/bold) and free words. Style one includes connected lower case letters and style two includes non-connected lowercase letters. Both styles come with alternate tales.

Eastville Square supports most of Central European and Eastern European languages. Eastville Square (US) supports English North America. Use Eastville Square for music promotions, billboards, products, packaging, fashion, film, magazines and murals. Fonts designed by Cindy Kinash and posters by Corinne Alexandra.

PaperCutAlmond breathes just the hands-on self-made authentic happy feeling you may be looking for. Each and every glyph is based on a paper letter cut by hand with a pair of scissors by me in my studio. Ideal for packaging for organic products, illustrated goods, book covers, editorial illustrations and other freestyle projects.

Chelsea Girls is a new sans serif display font inspired by 1970s New York City. It’s bold and exciting, with a fresh quirky vibe. It comes with a set of alternates so you can mix and match to your heart’s desire. Chelsea Girls features all uppercase characters with punctuation, glyphs, diacritics, numerals, and multilingual support. Perfect for logos, headlines, packaging, editorial, and posters.

Ari Cube Spiro is a typeface one should play with IMHO. There are two styles in this family: regular and bold. Bold is kind of outlineish, extruded, stampstyle font fits perfectly on top or under regular one. Giving thus possibilities for coloring options.

The way I like to use Regular Spiro is to make some words, make fonts to paths, ungrouping, break apart, select all and give selected paths random color. And this all as a vector graphic.

Use this font to create awesome hippie, surfing, book covers, album covers, retro stuff, liquid kind of things and wine bottle labels.

I consider this typeface family original and unique.

There is no kerning with the AriCubeSpiro typeface family, since fonts are designed to overlap each other!

AriCube typefamily will play well with this font.

RoundCut Bold is a geometric grotesque typeface, ideal for large sizes (display proposals and headlines). Its structure is modern, strong and bold, noticeable in its minimal and geometrically forms. Although visually simple, the construction of each letter form is complex allowing some expression and uniqueness to the typeface.

Chasmophile is a beautifully classic script. It has cleanly looping ascenders and descenders as well as elegant uppercase forms. Classic, yet free spirited, it is a typeface for a wide variety of use it is very soft and has fast curves, while its low slant angle makes it very legible.

It works perfectly for creative projects such as logos, T-shirts / apparel, badges, invitation, packaging, headlines, posters, magazines, greeting cards, and wedding invitations. You can access the OpenType features on mostly Adobe programs, such as Adobe Indesign, Adobe Illustrator, Adobe Photoshop. etc.

If you have any questions, please contact me: [email protected]

We often see calligraphy fonts with a standard style developed from the brush pen strokes. Sweet Pancake fonts come in different calligraphy styles. The usual shape has been customized to make it look more personal and special.

Sweet Pancake is available in two versions, regular and X. The second version is the development of the regular version by adding sharp corners to the stem.

To be more specific, this font also includes several swash so that you can easily mix and match unique and different typographic designs. To attach a special swash to the letter end automatically, you only need to add two / three / four hyphens (the standard ligature feature must be activated).

Sweet Pancake is suitable for logotype, invitation, poster and more. Available in OTF and TTF formats, also supports multi-language and PUA encoded.

A Braille font designed with the look of the Go Game. Lowercase glyphs use black stones while uppercase use white stones. To make the text more like within a Goban, Corner and border glyphs are provided. Also the font allows a “new kind of ASCII Art” by providing the missing glyphs (black stones) which enable this usage (see “drawille” project on Github).

Brillo Typeface stems from the effort of combining the modern look of a grotesque sans serif font with the elegance of the calligraphic copperplate’s swashes. The result is a typeface that is perfectly suitable for modern graphic applications, such as publishing, branding and web, but which has some ornamental features that differentiate it from all the other grotesque families.

Brillo doesn't want to be a neutral typeface. It’s a font with a strong personality, which can give outstanding aesthetic and conceptual relevance to the graphic projects which will be used in.

Brillo is a typeface thought for titling rather than for texts. For this reason it works better with character sizes bigger than 16 points.

Subletter Script is a casual script typeface with stylish style, clean, and great movement this typeface and allow you to make lettering and logotype quickly and easily. This typeface is inspired by brush lettering and sign painting that has strong styles and classy for using on project such as Logotype, Letterhead, Poster, Apparel Design, Label and etc.