Anna Pizzey

DALEK PINPOINT is a clean and precise version of K-Types distressed DALEK typeface, a small caps face with overtones of Greek, Phoenician and Runic alphabets, based on Dalek comic book lettering from the 1960s.

The package includes Regular and Bold weights, plus an Italic and Bold Italic which are optically corrected obliques.

Each font contains a full complement of Latin Extended-A characters.

Passenger Display is a high-contrast modern or Didone-style font family. It is intended for use in headlines, signs, or posters any place where you need to set large, elegant-looking type.

Passenger Display takes the idea of early-nineteenth century types vertical axes of stress, combined with ball terminals and dials up the stroke-contrast and degree of sophistication.

It features serifs that thin gradually into fine lines and points. The family is ready for use in editorial design and corporate communications projects. Passenger Display includes seven weights, ranging in style from Extralight through Extrabold. Each weight has both an upright font and an italic on offer. The fonts default numerals are proportionally-spaced lining figures. Via the OpenType features, there are also oldstyle figures and tabular figures available, as well as a full range of numerators and denominators for typesetting fractions.

The ascenders of the lowercase letters rise up above the tops of the capitals.

In the upright fonts, the a and the g are double-storied. In the italics, they are single-storied. Each font includes 13 f-ligatures. Passenger Display has a companion typeface available for larger-sized applications: Passenger Text.

Passenger Display and Passenger Text can be used together to powerful effect in magazine layouts, or in exhibition design graphics.

. The Passenger families were designed by Diana Ovezea and Samo Ako.

A tasty typeface inspired on the classic ads poster with a funny touch of handmade strokes.

Ideal for food ads with a traditional feeling. it tinny body es great for ue it on packaging like a secondary font, to fill descriptions or, editorial desing too in short bullets text.

Addictive font duo is a sophisticated & contemporary, hand-made script font. With personal charms and character. allow you to create flowing hand-lettering.Addictive fonts are designed to be a winning combination. this font will perfect for many different project, Designed to feel comfortable with variety projects including advertising, campaigns, poster design, wedding, branding, logo, fashion, magazines, social media.

Here is what you get in the Addictive package: More 1. Addictive A hand-made High quality script font containing upper & lowercase characters, numerals and a large range of punctuation + OpenType features (Ligatures&Alternates).

2. Addictive Caps A bold hand-made brush font containing upper & lowercase characters, numerals and a large range of punctuation.

Creates a perfect pairing contrast with the Addictive Script Both fonts Include multilingual support: English, Italian, French, Polish, German, Swedish, Spanish, Danish, Dutch, Portuguese, Norwegian, Malaya, Indonesian, Finnish, Filipino.

Malaya. TTF and OTF files are included for both fonts. Access all OpenType features alternates&Ligatures, you need a program that supports OpenType features such as Adobe Illustrator, Adobe Photoshop, Microsoft word and Etc.

. Thanks for looking If you have any questions about license or anything else,feel free to leave a comment or send me a message.

I'm always more than happy to help:) hope you enjoy! Michael

Cheddar Gothic Rough is a hand-drawn, textured display font with regular and italic styles. An all-caps, sans serif typeface with condensed proportions that works great for a variety of display uses.

The uppercase characters add distinction with extended crossbars and chiseled terminals, while the lowercase provides a more classic sans serif appearance.

Carefully drawn for quality and readability, but still rough enough to exhibit the handmade details.

Cheddar Gothic Rough is great for display, branding, packaging, advertising, food, sports, titles, and more.

More This font has extensive Latin language support for Western, Central, and South Eastern European.

This font is the textured version of the Sans family within the larger Cheddar Gothic font family (which includes Sans, Serif, Slab, and Stencil styles).

Katana is 21st-century script typeface that thrives with energy. Its stylised letterforms feature a strong slant: about 40°, or more than twice the amount of slant found in a typical italic font.

Katanas angularity expresses an aura that combines the small refined details of calligraphy with the vibrancy of large-format graffiti lettering.

Unusual for a script typeface, Katana has multiple weights available; there are five in the family, and they range from Light through Bold.

As one shuffles from each weight to the next, the level of stroke contrast increases.

While Katanas Light weight is monolinear, the Bold weight has extremely hight contrast between its thick and thin strokes, which dials up the fonts dynamic-feeling even more.

The heavier weights clearly look like their letterforms have been written with broad pens or brushes, and the heaviest font looks like a techno-style design crossed with the work of a traditional sign-painter.

Each member of the Katana family has lining figures as its fonts default numeral style, but there are also oldstyle figures available through an OpenType feature.

Plus, each font includes about 26 alternate glyphs, substituted into the text whenever the contextual alternates feature is active.

Katana is a great addition to an editorial designers toolkit. It comes from Parimal Parmar, a designer in Ahmedabad/India.

Spring has Sprung! The Fling has Flung and all that will be left after the inevitable Split is a fluttering in your heart, a blushful remembrance of lost love, an aching heart full of excitement and a strange sense of regret.

As you read and re-read Shakespeares sonnets to make sense of the swirling waters of your affectations, consider this font as the perfect headline for the Summer Blockbuster Romance youre sure to pen in the warm, wine-soaked evenings ahead of you.

Enough talk. Metcon is not here to talk. Its simply here to PUMP... YOU UP.

UMBA Sans is a contemporary typeface designed by Anita Jürgeleit. The wide shaped curves show a new aesthetic appeal in an unexpected pleasant way. Umba Sans fulfills your corporate design needs as well as your editorial demands and helps to push your design to the next level.

Thirty styles from thin to bold and matching italics - as well as small caps and alternates - help you create a contemporary design.

Umba Sans provides a wide range of variations. Your design may have many faces but it all matches together. More Separate styles for alternate and small caps will show up in your font menu, making sure that you stay aware of the wide range of possibilities your new favourite typeface provides.

Want to know more? Lets get in touch! INSTAGRAM @anitajuergeleit +++ FACEBOOK AnitaJuergeleitTypefaces +++ TWITTER AnitaJott

Say hello to State, this family is inspired by sport and a further development on Comply Slab.

This family of fonts has some bold letters as well as stylistic alternates to give your layouts some interesting variation.

State comes in 3 styles, Regular, Soft and Rough each with 7 weights and italics.

It was specifically designed with a wider structure for better appearance in small sizes and the extra attention to the detail was needed for the big sizes.

Use State to get the delivery you need, whether its for print, online or Television.

The Revla family just keeps expanding! This is Revla Slab. It has the same exuberant charm as its siblings (Revla Sans and Revla Serif) with a touch more chunk.

OpenType contextual alternates make for text that is lively and bouncy, without the monotony of obviously repeating letterforms.

More Its shamelessly fun, but pretty serious at the same time. The range of weights can be used to maintain an even colour across different sizes - use lighter weights for bigger sizes and vice versa.

OpenType features include automatic fractions, ordinals, contextual alternates (which along with the pseudo-randomness, help maintain a nice tight fit with minimal glyph collisions), standard and discretionary ligatures (OK, only one discretionary ligature, but its a belter!), and case-sensitve forms.

Obviously, in sharing a common skeleton, it will work well with other members of the Revla Superfamily, particularly Revla Sans.

Celaraz is a typeface with structural forms and pushes the stroke contrast. The idea evolved from the didone styles and wedge serif forms to feel explicit with the contrast remain visible and consistent on each character.

To avoid the dark spot several characters were adjusted by adding the static traps to keep visibility.

The final result with contemporary styles makes this typeface well-suited for large setting display as well as medium size design.

Celaraz consists of four weights with companion italics.

La vie est une fleur dont l'amour est le miel Fleur is the french for flower and I've chosen this language for a good reason.

Over the past 5 years, I've had the opportunity to travel a lot to Paris and I've always tried to catch every moment, and detail of this delightful city through the eyes of the designer inside me.

More Paris is full of surprises mainly for us, artists. In fact, I believe the city is a museum itself. Every corner of any street has something inspiring. But, theres something I particularly love and I want to address here: The Palais Garnier.

Built between 1861 and 1875, this opera house is a dream made true for many of us, who love somptuosité.

Garnier, the architect of this magnificient building, said that the style he proposed was not Grecian nor Roman/baroque, he created something new and called it Napoleonic: Luxurious at its best.

Fleur is inspired in this palace which, in fact, has some similar letters inside.

Garnier put his name at the ceiling of the Rotonde des Abonnés: Letters are interlacing each other with nicely done art nouveau curves.

I thought I could take this idea and achieve something very delicate and imposing at the same time if the font consisted entirely of caps with the logic of a didone and a bit of art-nouveau.

This mix of elegance and flamboyance gave birth to Fleur which has a wide range of uses but was mainly intended for perfumes, fashion magazines, storefronts, book covers or logos.

Not only you'll find many decorative glyphs, but also a vast amount of unique ligatures will make you really adore this font.

Get Fleur and profite de la vie. TECHNICAL As suggested above, the font has many open-type coded alternates and a vast amount of unique ligatures.

Install the font in applications that support them, like Adobe Illustrator of Photoshop.